The Hopewell Valley Chorus is accepting new tenors and basses for its spring season. The program, “A Spring Bouquet,” features songs about flowers, drawn from sources ranging from madrigals to musical theater.  Spring concert on Sunday, May 6.

Rehearsal time:

Rehearsal location:

Ars Musica Chorale, of Ridgewood, N.J., a suburban community 15 miles from New York City, is seeking an experienced, accomplished music director/conductor with a wide knowledge of choral literature. The Chorale is a highly dedicated group of avocational singers with professional standards and a commitment to excellence. The Chorale has a regular season of four concerts with additional engagements on occasion. Tuesday-night rehearsals and weekend performances take place mainly in Bergen County, New Jersey.

The successful candidate will possess excellent conducting skills, superior communication skills, a history of musical accomplishments, the ability to teach vocal and choral techniques and relevant languages, the ability to establish musical goals and reach them, and the ability to work with a volunteer organization. S/he will be expected to secure professional soloists and instrumentalists as needed.

Please send your resume, including salary requirement, to amcsearch@verizon.net by March 31. Interviews and auditions will be held this Spring; duties will commence on July 1, 2012.

Repertoire ranges from the Renaissance to the 21st century and includes both choral and instrumental music. Conductors sing as members of the choir and conduct instrumental as well as choral ensembles.

MASSIVE ATTACCA 2012, Maribor, Slovenia

CARMINA ATTACCA

Contemporary music and new stage expressions projects

Attacca would like to encourage:
· the performing of different styles of contemporary music 
· the performing of music in the Choregie concept (staged performances)

The idea for Attacca came from the conductor Karmina Šilec who believes that »we are responsible for our concert programs to become large museums which give contemporary generations the possibility to listen to intellectual, spiritual and aesthetic landmarks of the past. At the same time we also have responsibility toward contemporary music - we should promote creativity of our time and give new music a chance to be heard and to grow.« The Attacca festival is trying to include the basic elements of her concept called “Choregie studio – vocal theatre or theatre of voices” into the general idea of all activities held under the project Attacca. With innovative interventions in vocal music the Choregie concept is opening up wider spaces for complex multi-form artistic events.

production: CARMINA SLOVENICA

And although the Big Apple was a big deal to the 19 Manual High School students who made the trip east, they handled their Carnegie Hall debut without missing a note, overcoming this challenge just as they’ve overcome many personal obstacles in their lives.

The ManualAires’ journey here began four years ago when a young teacher, Spencer Lloyd, took over the struggling Southside school’s nearly defunct choir. Pouring himself into the task, Lloyd, 28, grew the choir’s roster during his first two years at the school.

Then, reaching back into the school’s long history, he resurrected the ManualAires, a show choir that requires its members to dedicate themselves to honing their talent. In a school that lost its football team to apathy and loses many students to academic indifference, the show choir offered Lloyd the chance to show that his students are capable of excelling and that his school need not be defined only by its depressing test scores and dropout rate.

"My beliefs about the power of education are rooted in my story," wrote Tesfa Wondemagegnehu, in his application to be Orange County's teacher of the year.  

His success in using his story to inspire students and in building an award-winning choral program in just three years on the job won Wondemagegnehu the district's top teaching award this evening.

The UGA Summer Choral Conducting Institute is an intensive, week-long series of seminars and master classes geared for music educators, graduate-student conductors, church musicians, and other aspiring conductors who wish to grow as artists, teachers, musicians, and leaders.

Sunday, June 17 until Friday, June 22, 2012

Athens, GA  

Daniel Bara, clinician

Daily seminars, workshops, conducting master classes, and round-table discussions will serve as the learning environment in which participants will

The 21-year MHSA veteran has been named one of 11 outstanding “Choral Directors of Note” by Choral Director magazine.

Winners from around the country were selected based on the recommendations and nominations of students, fellow teachers, administrators and colleagues.

He told the magazine he hopes to leave his students “with the understanding that someone expected great things from them, was willing to help equip them with the skills and tools necessary to meet those high expectations – and that they should, for the rest of their lives, hold themselves and their children to those same lofty expectations in all their endeavors.”

And her mother-in-law.

All three are high school choral instructors in Wake County public schools. And all three are leading their choirs to the exclusive, invitation-only Presidents Day Festival Chorus at the Kennedy Center for the Performing Arts in Washington, D.C., on Monday.

"It's nice to have someone who understands ..." Meredith began as the three sat in a Raleigh coffee shop on a recent Wednesday.

"Understands what it took to get there ..." her mom, Diane Covington, added.

Having three jobs in two cities would be enough to wear you down - if it didn't immerse you in uplifting music.

So Scott Allen Jarrett is nowhere near wanting to ease off the pace. For nearly eight years, he has shuttled between Charlotte and Boston, shepherding choirs - including the Oratorio Singers of Charlotte - through Bach, Beethoven and Brahms.

Last weekend, Jarrett guest-conducted a Miami group in a Bach masterwork. This weekend, he directs the music in chapel services at Boston University, his job No. 1. Next weekend he focuses on Charlotte, leading the Charlotte Symphony and Oratorio Singers in a choral blockbuster, Carl Orff's "Carmina Burana."

Read more here: http://www.charlotteobserver.com/2012/02/19/3022321/scott-jarretts-tale-of-2-cities.html#storylink=cpy

Read more here: http://www.charlotteobserver.com/2012/02/19/3022321/scott-jarretts-tale-of-2-cities.html#storylink=cpy

 

By Joe Callahan

OCALA, FL -- Known for her enthusiastic love of music and choral programs, Howard Middle School music teacher and choir director Melissa Bumbach was named Marion County's 2012 Teacher of the Year on Friday.

"I am so honored. I am so honored to be part of this group," said Bumbach, a four-year veteran chorus teacher who wrote in her nomination portfolio that she knew since she was in middle school that she wanted to touch lives through music.

A student has left his high-school choir after the group sang an Islamic song which contained lyrics in praise of Allah. James Harper, a senior at Grand Junction High School in Colorado, protested when the after-school men's choir chose to sing 'Zikr', by Indian composer A.R. Rahman.

 

He said he thought it was inappropriate for the choir to sing 'an Islamic worship song' which includes the line 'There is no truth except Allah'. But when he complained to the local school district, they defended the choir director, Marcia Wieland - so Mr Harper left the group.

 

The student, a devout Christian, told KREX he thought that religious people should not be forced to sing the songs of other faiths. 'I don’t want to come across as a bigot or a racist, but I really don’t feel it is appropriate for students in a public high school to be singing an Islamic worship song,' he said.

• Please submit one choral work, 5-10 minutes in length, scored for SATB chorus with occasional divisi. 
• Please choose a text which incorporates any aspect of land conservation and preservation.  Composers must submit proof of copyright or public domain.
• Compositions may be a cappella or may include any combination of violin, clarinet, flute, and tenor saxophone. 
• Compositions must have been written within the last five years. 
• Compositions may have been performed, but preference may be given to unperformed works.

I blogged about IPAnow!

As you know, I made the Windows app back in 2008, and since that time I've been very busy with school, work, and family, and just haven't had time to put anything more into IPANow!. But I kept getting requests for a Mac version and finally got an iPhone myself about a year ago and realized the potential there. I figured a lot of those people out there wanting a Mac version would probably also have iPhones and iPads too (since those are such hot tech items these days) so in October 2011 I decided to shoot for the iOS platform first before Mac OS.  I hired a freelance iOS developer to work on the project with me. I came up with the basic user interface (which is admittedly very simple), and the developer's job was to translate (I think the correct word is "port") the original Windows code (VB6) for each transcription engine into Objective-C, which is what iOS utilizes. 

I already have ideas for how I want to enhance it for 'version 2'. I wanted to squeeze all of those ideas into the first release, but I reached a point where I realized that if I tried to do all of that I'd NEVER get them released. So I had to draw the line somewhere. 

 

Some of my ideas for the next version of the apps include the ability for the user to email transcriptions DIRECTLY from the apps without having to copy/paste to the mail app, user control over the font size of the transcriptions, better vertical alignment between each word and its corresponding transcription, and the ability to enter text in landscape mode on the iPhone. I also envision some sort of IPA editor module that would allow users to make manual edits to transcriptions within the apps. The first thing on my list, however, is an app for English IPA transcription. I've had a lot of requests for that.

One thing that is DIFFERENT from the Windows app is that they use Unicode fonts to display the phonetic symbols instead of the IPA-SAM fonts used in the Windows app. This was a tough call for me because I like the IPA-SAM fonts, but those fonts are becoming very outdated and they make it difficult for "sharing" with others since you have to have special fonts installed for the phonetic symbols to display correctly. The downside of the Unicode fonts is that they're not as keyboard-friendly. 

Absolutely! In fact, the hard part--translating from VB6 to ObjC--is already done. The computer code for the transcription engine in the iOS version is exactly the same as for Mac OSX, as I understand it. So all that really has to happen is to create the user interface for Mac! I think my next project, however, will be an app for English. I've already done a lot of the prep work for that, and the user interface is already designed since it would be identical to the existing iOS apps.

The transcriptions produced by the apps are really quite accurate--I'd say about 99% accurate. That being said, they do contain the occasional "mistake." It's just inevitable. First of all, not everyone agrees on the "correct" pronunciation of a given word and the "correct" phonetic symbol to use. There are certainly disagreements among professionals about open and closed vowels in the Italian language. Second, there just isn't a way to capture every single pronunciation exception in each of these languages. Think about all of the exceptions associated with French liaison, for example. Third, it's impossible to capture the pronunciation nuances that may be affected by the musical setting of the text. Thus, I want users to understand that they should view the raw transcription output of these apps as a starting point. My hope is that this product saves users a great deal of time by taking care of the "grunt work" of adding phonetic symbols one by one. Users can still have complete artistic control over the final output if they choose.

“Travelin’ South”

 Journey through Americana with the Omaha Symphonic Chorus
and the Street Railway Company Jazz Band

Saturday, March 3, 2012
7:30 p.m.

First United Methodist Church
7020 Cass Street, Omaha, Nebraska

Join us for a musical exploration of American music in the late 19th and early 20th centuries.  From Steven Foster to Hoagy Carmichael, spirituals to gospel, Yankee Doodle to Swingin’ with the Saints, this family friendly program will sample the American popular songbook.  The concert will feature the Street Railway Company Jazz Band and its foot-stomping Dixieland sound.

$15 for adults
$12 for students and seniors (60 and over)
10% discount for groups of 10 or more

Enrollment is open to students entering the 10th grade through those who have just completed their senior year. There is no audition or application deadline for this program, however it is advisable to register early to reserve your place in this popular program.

Program Highlights

Focus on college-level choral singing of major choral repertoire.
Daily voice classes with Westminster artist faculty Elem Eley, Tom Faracco, Julia Kemp, Sharon Sweet and Rochelle Ellis.
Audition to perform in the Chamber Choir, or Women’s Chorus or Men's Chorus 
Solo vocal training in classical performance and musical theater classes
Opportunities for private lessons
Elective classes
Perform in the final voice class recitals in Bristol Chapel on the Westminster campus, and choral concert at the Princeton University Chapel (parents, families and friends are invited to attend)
Daily Schedule

Morning: Choral rehearsal, sectionals and movement classes
Afternoon: Select ensembles, choral rehearsal, elective classes and theory/sight-reading
Evening: Special activities

For more information, visit our website at:
http://www.rider.edu/academics/colleges-schools/wca/woce/summer-camps/vocal-institute

• Excellent musicianship at the organ and piano, including the ability to work collaboratively with the Minister, Director of Music, guest artists, and the church choir, and to excel at a wide range of musical styles.

• Five years experience as a church musician.

• Additional skills may include keyboard improvisation, familiarity with sound reinforcement, and experience leading choir sectionals and rehearsals.

• Provide organ and piano music for Sunday morning services at 9:00 and 11:00 a.m. This includes, but is not limited to: preludes, postludes, offertories, “music for the morning” (equivalent to the choral anthem), meditations, hymns, other service music, accompanying the choir, and accompanying guest musicians. 

• Rehearse with the choir on Thursday evenings from 7:30 to 9:15 p.m. and on Sunday mornings from 10:10 to 10:50 a.m.

• Rehearse with guest artists on Sunday mornings at 8:15 a.m. as necessary.

• Plan music as appropriate. Inform Director of Music of music selections for upcoming services by the preceding Wednesday at noon.

• Be available for occasional special events such as Vespers, concerts, etc.

• Arrange for qualified substitutes as necessary.

• During the summer (June 17-September 2), the church only holds one service per week, on Sunday mornings at 10:00, and the choir does not meet.

To submit resume, or for additional information, please contact Kyle Becker at sprc@newdover-umc.org

Since those days – discounting the Second World War, when it was suspended – Bristol Madrigal Society has now performed regularly for 175 years.

The local stop allows performers Kristin Heysse and Brianna Haus, now seniors at Concordia College-Moorhead, to showcase their skills in Bethlehem Lutheran Church, a space they once sung in as high school students. Heysse, a math major and Haus, an organizational communications major, grew up singing as part of the Youth Chorale of Central Minnesota, a community choir made up of select students ages 14-18.

“It’s great to be back there because I have so many memories of building up to where I am now,” Heysse said. “It’s unbelievable. I’m a third-year member (of the Concordia Choir) and I still pinch myself every day. I knew I wanted to go to Concordia, not to study music, but to sing in this choir.”

I'm not actually that interested in Irish music, to be honest. I know that lots of people love that element of my work. I am first and foremost a composer, exactly the same as those people I meet here (CCMC).  I am obsessed with the land I live on. It is a very special place, and the only guide I need. I wish I could write more, but time is limited and I would rather jump into the sea than write about it at this point in my life.

By Anastasia Tsioulcas

Best Choral Performance: Whitacre, Light & Gold

This album of choral selections, all written by Eric Whitacre (of "Virtual Choir" fame), was an obvious front-runner for this category, in terms of broadest-level name recognition and most widespread programmatic appeal. To wit: Fellow nominees included not one but two albums of music by contemporary Scandinavian composers — both excellent releases, but still.

2 nd WORLD CHOIR FESTIVAL

IN REFERENCE TO MUSICAL

27, 28, 29th April, 2012

THESSALONIKI GREECE

ORGANIZATION : CHOIR " KORAIS "

We would like to remind you that the deadline for participation to the 2 nd WORLD CHOIR FESTIVAL is the 1 st of March 2012.

Thessaloniki, the city of 2.300 years of history and civilization, the multicultural city of the Mediterranean and the Balkans, the city that continues living and resisting, invites you to visit it and to live together with choristers from other nations the most beautiful moments of Musicals.

The 2 nd World Choir Festival dedicated to Musical, held by "KORAIS" Choir on the 27 th, 28 th and 29th of April 2012, will be a meeting of people and cultures united by their love for choral music and polyphonic singing.

All of us in "KORAIS" Choir guarantee an unforgettable accommodation and hospitality at the highest level in our city that will satisfy any touristic, archaeological and recreational interest for every demanding visitor.

"KORAIS" Choir having the experience of many successful events so far, can promise an excellent organization of the 2 nd World Choir Festival on Musical. A unique three-day Festival with quality performances that will include choirs, dancing and pleasant happenings based on melodies taken from the most well known musicals that we all loved.

· The Festival does not have a competitive character

· All choirs can participate

· The choirs may accompany their program with choreography

· The choirs will be accommodated at 5* (PALACE) and 4* hotels in the city of Thessaloniki half board in a low cost. One free double room entry per 20 persons will be given

· English guided tours to attractions in Thessaloniki and a festive gala are also included in the programme of the Festival

· All choirs will be awarded with diplomas of participation, printed material of the Festival and a copy of an ancient Greek sculpture.

For further information, details and conditions to participate, please visit our website: http://xorodiakoraiseng.weebly.com/world-choir-festival-on-musical.html

So we are waiting for you to come to Thessaloniki on the 27 th, 28 th and 29 th of April 2012 for a meeting of culture dedicated to Peace, Friendship, Collaboration, Brotherhood and Solidarity of people.

The Organizing Committee

Stratos Tsichlas , President

Mary Konstantinidou , Artistic Director

CONTACT:

53 Alkminis Str. 542 49 THESSALONIKI, GREECE

Tel.& Fax : 0030 2310 309900

E-mail : choir_korais@hotmail.com

This is the Raucus Caucus Recovery Chorus - a choir run by the charity Action on Addiction whose patron the Duchess of Cambridge is visiting on Tuesday.

“The UK men’s basketball team is at the top of their field just as the UK Men’s Chorus is at the top of ours,” Johnson said. “Despite our talent, if we don’t give 100 percent every day we are going to lose. The musical standard against which we compete is that high.”

The choir isn’t just 80-or-so men standing and singing an overdone song.  Picture it like Fox’s hit show “Glee,” without the high school drama, high school courtyard choreography and high school girls.

By Janelle Gelfand

CINNCINNATI -- The official poster of the 2012 World Choir Games, designed by award-winning illustrator and Cincinnati native C.F. Payne, and the champions trophy, created by The Rookwood Pottery Co., were unveiled today at the Cincinnati USA Convention & Visitors Bureau’s Annual Meeting at Duke Energy Convention Center.

Payne, whose illustrations have graced Time, Sports Illustrated, Reader's Digest, U.S. News and World Report and more, said his design attempts to capture both the international flavor of the Games and spirit of Cincinnati. The image depicts an international group of singers raising their voices before a skyline of Cincinnati’s iconic Downtown structures and the city’s arts institutions, including Union Terminal and Music Hall.

FULL TIME POSITION:

DIRECTOR OF MUSIC MINISTRIES

WESTMINSTER PRESBYTERIAN CHURCH – WATERLOO, IA

ABOUT WESTMINSTER PRESBYTERIAN CHURCH

This position brings with it the privilege of embracing and building upon a music tradition of excellence that is valued by both the congregation and community, but would not be limited by that tradition. The right individual for this position will bring the leadership skills to support and enhance the experience of God through music for both musicians and listeners alike. We welcome someone who will expand and enhance our experiences as a church, thereby further developing our music ministry in the community.

We are a body of people from varied Christian church backgrounds, who come together to actively worship God in both Traditional and Contemporary worship. Our congregation of 900 members seeks the energy, experience and inspiration of an individual with vision who understands both the challenges and opportunities that come with a church of this size.

We invite application from the individual who is prepared and equipped to offer creative vision, encourage growth, and provide spiritual empowerment through a music ministry for all ages.

STARTING SALARY

Starting salary range is $45,000 + and is commensurate with qualifications, experience and duties. 

Interested individuals should send a cover letter and resume to:

     
         Westminster Presbyterian Church
         1301 Kimball Ave.
         Waterloo, Iowa 50702
         Fax 319-232-9460

         E-mail: employment@wpcw.org

         Candidates are encouraged to send audio or video recordings of recent performances, if available.

]]>Richard Allen Roehttp://www.choralnet.org/view/308230%pm, %14 %b %2012 %13:%Feb:%th 13FebUTChttp://www.choralnet.org/view/308230 By Pat Sutphin
 
CARBONDALE, IL -- At 7:30 a.m., the music begins.  For Monica Bertrand, a senior from St. Charles studying music education, the last note does not hit until well after the sun sets.  Bertrand begins each day by assisting Carlyn Zimmermann, choir director of Carbondale Community High School.

Bertrand said she is not required to volunteer at the high school for her degree but does so to get a better understanding of how a high school choir is taught.

After volunteering, Bertrand goes to the School of Music, where she practices piano for a couple of hours before her vocal lessons.  Afterwards, she practices for a few more hours, attends class, practices again and then teaches private lessons before going home to eat.

 
]]>Tim Sharphttp://www.choralnet.org/view/308167%pm, %13 %b %2012 %19:%Feb:%th 19FebUTChttp://www.choralnet.org/view/308167

On March 15, ACDA members and choral enthusiasts will have yet another fabulous benefit available to them: a Smartphone App!  This application will include ACDA’s exclusive “First Listen” program (in collaboration with Naxos) and “Choral Library” (reviews of new choral music).

I am announcing the availability of this new ACDA mobile app at each of ACDA's Division Conferences throughout February and March. I am particularly excited that not only ACDA members will benefit from this new app, but that choral singers and choral enthusiasts will be able to get this app in the future as a choral resource.

With a release date of March 15, the ACDA app is being made available for preorder FREE to the first 200 ACDA members who sign up. To get the ACDA APP follow these steps:

     [1] Go to the promotion page
     [2] Enter the promotion code: acda4life
     [3] Enter your ACDA member ID
     [4] Enter your e-mail address

Then click SUBMIT and enjoy the ACDA App!

 
]]>Scott Dorseyhttp://www.choralnet.org/view/306848%pm, %01 %b %2012 %17:%Feb:%st 17FebUTChttp://www.choralnet.org/view/306848
The ACDA Western Division Conference is just two weeks away.  This grand event takes place February 29-March 3 in Reno, Nevada.  This is one of seven divisional conferences being offered by ACDA in 2012.
 
“Western Division ACDA Choral Conference, Singing the Legacy, will highlight, celebrate and embrace the many facets of the choral tradition, from early music to contemporary, from language to language and from culture to culture, said Western Division President Kathryn Smith.  “As choral musicians of the 21st Century, we are the legacy through which music will live to the next generation of choral musicians.”
 
View the complete Conference Profile or Register On-Line.
 
]]>Scott Dorseyhttp://www.choralnet.org/view/308254%pm, %14 %b %2012 %16:%Feb:%th 16FebUTChttp://www.choralnet.org/view/308254
Roses are red, violets are blue,
we hope you enjoy, jazz, choir, band and orchestra too!
Please enjoy up to $30 off any size order for the following CDs and DVDs. Use the code LOVESOUNDWAVES at checkout. CDs are $16 and DVDs (available for NAfME All-Eastern and All-Northwest) are $30. Shipping for all orders is not covered by coupon and is $4 for any sized order. Code expires at midnight today!
 
Yes! I Want It!
 
 Have a Happy Valentine's Day!

                       



2011 MENC/NAfME All-Eastern Jazz Ensemble & Mixed Chorus CD orDVD   



      2011 Michigan Music Conference Chippewa Valley HS, Choir CD      



2011 MENC/NAfME All-Northwest Band & Orchesta CD or DVD



2011 CMEA Elementary Honors Choir CD


 
]]>Kenneth Owenhttp://www.choralnet.org/view/308205%pm, %13 %b %2012 %23:%Feb:%th 23FebUTChttp://www.choralnet.org/view/308205 Feb 24th, 2012
7:30 pm
First Presbyterian church, Puyallup
412 W. Pioneer, Puyallup WA
donations accepted at door
 
A select ensemble singing music by Palestrina, Josquin, and Debussy, as well as arrangements of African American spirituals and lighter selections as done by such groups as The Idea of North, Rajaton, and the Swingle Singers.
 
Program:
O Bone Jesu - attributed to Palestrina
El Grillo - Josquin
Alma Redeptoris Mater - Palestrina
Dieu, Qu'il la fait - Debussy
The Coolin - Barber
Crucifixion - arr. Hailstork
By and By - arr. Barnett
Butterfly - Mia Makaroff, arr. Makaroff & Kähärä
When She Loved Me - arr. Piper
Poor Wayfaring Stranger - arr. Hollens
]]>Brigitte Smithhttp://www.choralnet.org/view/308202%pm, %13 %b %2012 %23:%Feb:%th 23FebUTChttp://www.choralnet.org/view/308202 Hi All!  I am trying to attend ACDA in Dallas this year but I need a room that won't break my checking account!!!  Any ideas?!!? ]]>David Smithhttp://www.choralnet.org/view/308189%pm, %13 %b %2012 %22:%Feb:%th 22FebUTChttp://www.choralnet.org/view/308189 For those that have conducted Handel's Messiah, have any of you cut any measures in the final Amen section?  I'm worried about timing and considering making a cut in that final piece.
If you have, what cut did you make?
Thanks!
David Smith
]]>Tom Trenneyhttp://www.choralnet.org/view/308183%pm, %13 %b %2012 %21:%Feb:%th 21FebUTChttp://www.choralnet.org/view/308183Item: War Requiem (Choral score)
Composer/Arranger/Edition: Britten
Starting: as soon as possible
For: until May 1
Copies: up to 80
Willing to rent: Yes
 
Abendmusik: Lincoln would like to borrow or rent copies of the choral scores to Britten's War Requiem.  Please contact us at tom@abendmusik.org if you would be willing to share with us.  We are more than willing to pay for shipping, handling, and a reasonable rental fee.
 
Here is our contact information:
 
Abendmusik: Lincoln
First-Plymouth Church
2000 D Street
Lincoln, NE  68502
(402) 476-9933
www.abendmusik.org
tom@abendmusik.org
 
Thanks for considering!
TT
]]>Beverly Atkinsonhttp://www.choralnet.org/view/308179%pm, %13 %b %2012 %21:%Feb:%th 21FebUTChttp://www.choralnet.org/view/308179Item: Psalms of Scotland
Composer/Arranger/Edition: Ian McCrorie
Starting: Now
For: 2 weeks
Copies: 1
Willing to rent: No
 
Searching for a CD copy of 1993 recording of Psalms of Scotland, produced by the Scottish Philharmonic Singers under the direction of Ian McCrorie.  Needing a couple of tracks for a service.  I'd like to borrow the CD and then will send it back.  It is out of circulation and not available, not even on UK's e-Bay, or on Amazon.  I've checked I-Tunes as well with no luck. 
]]>Garrett Lathehttp://www.choralnet.org/view/308171%pm, %13 %b %2012 %20:%Feb:%th 20FebUTChttp://www.choralnet.org/view/308171 I have a quesiton about the Zulu portion of Caldwell & Ivory's "Hope For Resolution. 
 
The word in question is uzokunqobela. I have always taught it with the tongue click AND the "o" following the q being voiced. I have a colleague who learned it as JUST the tongue click and no voiced vowel following.
 
So is it “oo-zo-kun-(click)-beh-lah” or “oo-zo-kun-(click)o-beh-lah.”
 
The only evidence I have is a group singing it in a style that sounds more like an '80's worship recording (a la Maranatha) than an anti-apartheid song. Nothing is attributed on the recording, so not sure if it is accurate or not.
 
 
If you have an authoritative indication of what it may be, please let me know.
 
Thanks.
 
Garrett Lathe 
]]>Scott Dorseyhttp://www.choralnet.org/view/308165%pm, %13 %b %2012 %19:%Feb:%th 19FebUTChttp://www.choralnet.org/view/308165

Hitting the 'High Notes' An insider's look at the progress of the 2012 World Choir Games SPECIAL ANNOUNCEMENT

 

February 13, 2012

Dear 2012 World Choir Games Supporter:

Today we are sharing publicly another exciting announcement on the progress of the 2012 World Choir Games planning, and we want to share it with you first.

We are pleased to announce that seven new corporations and organizations have signed on as sponsors for the 2012 World Choir Games. With the Games now five months away, we couldn't be more pleased to welcome these organizations to our list of esteemed sponsors.

 
You will also see that there are 355 choirs registered to date, representing nearly 50 countries. At the CVB Annual Meeting on February 14, you'll hear more about the progress and planning of the Games and share in some very special news. We hope to see you there.
 
Below is the news release that will be distributed to media later today.
 
With your support, we continue to make great progress, and we appreciate your continued engagement and leadership of the 2012 World Choir Games.
 
If you have questions or thoughts don't hesitate to let us know.
 
Best,

Dan Lincoln
Director, 2012 World Choir Games
President and CEO, Cincinnati USA CVB
 
]]>Martin Bannerhttp://www.choralnet.org/view/308163%pm, %13 %b %2012 %19:%Feb:%th 19FebUTChttp://www.choralnet.org/view/308163 I am proud to announce that my new edition of "Et Resurrexit" by Giacomo Puccini "senior" (great great grandfather of the more famous opera composer of the same name), for SSA choir and keyboard accompaniment (optional unison violins, cello, bass and continuo), has just been published by Hinshaw Music Inc. (HMC 2288). This piece is the final movement from Puccini's "Messa a 3", is approximately 3:28 in duration, and is appropriate for medium/advanced junior high, high school and adult age treble choirs. This year, 2012, is the 300th birthday of Puccini "senior", and this brand new edition would be an excellent way to celebrate the occasion.
 
You can view a PDF of the first two pages of the vocal score or listen to a complete recording by going to www.hinshawmusic.com and typing Et Resurrexit into the search button on the home page. If you have any questions about this new publication, feel free to contact me. If you would like a complimentary copy of the vocal score, please email me privately here with your full name, snail mail address, and the choir you conduct for whom this publication would be appropriate.
 
Martin Banner
]]>David Avshalomovhttp://www.choralnet.org/view/308158%pm, %13 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/308158
I am happy to announce the launch of my new composer website at www.davidavshalomov.com  We have completely redesigned it to make it easier for conductors and singers to become familiar with my extensive catalog of choral works and songs, as well as works in other genres. Everything you need to sample and evaluate my music is there: Scores, sound files, thumbnail descriptions, notes, lyrics, performing forces, durations.
Other pages have reviews, quotes from performers and colleagues, my bona fides as a singer and conductor, and some Avshalomov composer family history (3 generations and counting).
I hope you will take a few minutes to check out the site, and if you like what you see/hear, let your colleagues know, including instrumentalists and conductors.
If you find any bugs or typos, just let me know off-list (this is a launch); suggestions are also welcome.
Regards,
David Avshalomov
Santa Monica
davshalomov@earthlink.net
 
 
]]>Mark Brucehttp://www.choralnet.org/view/308149%pm, %13 %b %2012 %17:%Feb:%th 17FebUTChttp://www.choralnet.org/view/308149

St. Luke’s Episcopal Church in Los Gatos, California, is looking for baritone and tenor section leaders. The Choir rehearses Thursdays from 7:30-9:00 pm and sings two masses on Sundays (rehearsal at 8:15; services at 9:00 and 11:00). Good sight-reading skills are essential.  Repertoire ranges from Gregorian Chant to 21st century music, largely taken from the  Anglican tradition. Some solo work will be available. The Choir sings from mid-September through early June.  Christmas and Holy Week services are mandatory. Please send resume to Mark Bruce, Director of Music and Organist at mark.bruce@stlukeslg.org

 
 
]]>Amy Waldronhttp://www.choralnet.org/view/308152%pm, %13 %b %2012 %17:%Feb:%th 17FebUTChttp://www.choralnet.org/view/308152
Simon Carrington Chamber Singers
 
FOR IMMEDIATE RELEASE
Contact: Amy Waldron
SCCS Executive Director
Office: 816-822-1516
amywaldron@simoncarringtonchambersingers.com
 
PANAYIOTIS KOKORAS’ SONIC VERTIGO WINS
SIMON CARRINGTON CHAMBER SINGERS CHORAL COMPOSITION COMPETITION
 
February 10, 2012 KANSAS CITY, MO – The Simon Carrington Chamber Singers have selected Greek composer Panayiotis Kokoras’ Sonic Vertigo as the winning piece of the 2012 Simon Carrington Chamber Singers Choral Composition Competition.
 
Sonic Vertigo, is a “sonic adventure” detailing the Argo’s journey past the island of the Sirens during which Orpheus must sing above the Siren’s song so as to keep his fellow Argonauts from being lured to their deaths. Written for sixteen amplified voices and electronics, this is a bold piece with striking, unforgettable sounds.   
 
SCCS will partner with KcEMA (Kansas City Electronic Music and Arts Alliance) for the technical aspects of the piece, creating an unprecedented collaboration for choral music in Kansas City.  The Kansas City performance on June 1 marks the piece’s United States premiere. Kokoras’ work was selected from an international pool of 112 submissions from 85 composers. In addition to two concert performances, Sonic Vertigo will be recorded by SCCS and Kokoras will receive a cash prize.
 
Panayiotis Kokoras (b. 1974) studied composition and classical guitar in Athens, Greece. In 1999 he moved to England, for postgraduate studies where he completed a M.A. and Ph.D. in composition with Tony Myatt at the University of York with funds from Arts and Humanities Research Board (AHRB) and Aleksandra Trianti Music Scholarships (Society Friends of Music) among others. His works have been commissioned by institutes and festivals such as FROMM (Harvard University) IRCAM (France), MATA (New York), Spring Festival (The University of York), Gaudeamus (Netherlands), ZKM (Germany), IMEB (France), and regularly performed in over 400 concerts in 70 cities around the world. His compositions have received 40 distinctions and prizes in international competitions among others Prix Ars Electronica 2011 (Austria), Métamorphoses 2010 & 2000 (Belgium), Giga-Hertz Music Award 2009 (Germany), ECPNM 2009 (Sweden), Bourges 2009, 2008 and 2004 (France), Gianni Bergamo 2007 (Switzerland), Pierre Schaeffer 2005 (Italy), Musica Viva 2005 and 2002 (Portugal), Look and Listen Prize 2004 (New York), Gaudeamus 2004 and 2003 (Holland), Jurgenson Competition 2003 (Russia), Seoul international competition 2003 (Korea), Takemitsu Composition Award 2002 (Japan), Noroit Prize 2002 (France), CIMESP 2002 (Brazil). Moreover, they have been selected by juries at more than 100 international call for score opportunities.
 
SCCS is a world class choral music ensemble based in Kansas City. The group was founded in 2008 with the goal of bringing together former Carrington students, now singers of high standing in their own right, who shared the desire to form an elite professional vocal chamber ensemble under Carrington’s direction.
 
Prior to teaching choral music in the United States, Carrington was a co-founder and long-time director of The King’s Singers, an internationally acclaimed British vocal ensemble. He is now a renowned choral conductor and clinician, who served as the director of choral activities at the University of Kansas, director of choral activities at the New England Conservatory, professor of choral conducting at Yale University and director of the Yale Schola Cantorum.
 
The SCCS fourth season concerts will take place on June 1 and June 2, 2012. The first will be held at 7:30 p.m. at Grace and Holy Trinity Cathedral in Kansas City, Missouri, and the second will be held at 7:30 p.m. at Corpus Christi Catholic Church in Lawrence, Kansas. Tickets cost $20 for general admission and $10 for students. For more information, go to www.simoncarringtonchambersingers.com.
 
2012 SCCS CCC Finalists (alphabetical by composer's last name)
Dominick DiOrio: Ode to Purcell for solo SATB quartet and SSAATTBB
Charles Halka: Dipukų Rauda for SSAATTBBB
Panayiotis Kokoras: Sonic Vertigo for SSSSAAAATTTTBBBB and tape
Robert Paterson: A Dream within a Dream for SSAATTBB
Mike Solomon: Das Zauberbuch for SAATB, obbligato piano, triangle, and tape
Mari Valverde: Still wie die Nacht for SSAATTBB
 
# # #
 
 
http://simoncarringtonchambersingers.com/content/competition
]]>Luna Pearl Woolfhttp://www.choralnet.org/view/308148%pm, %13 %b %2012 %17:%Feb:%th 17FebUTChttp://www.choralnet.org/view/308148 Oxingale Music is proud to offer new works for SATB, SSA, SSAA, both accompanied and a cappella, by Pulitzer Prize-winner Lewis Spratlan and myself.
For the complete list please visit:
http://oxingalemusic.com/category/choral-music/
New works added periodically.
 
Four Songs for Soprano and Women’s Chorus
By Lewis Spratlan | For Soprano, SSA Choir and Piano | 10′ Continue reading →
 
Elephant Rocks (coming soon)
By Lewis Spratlan | For SATB Choir | 17′ Continue reading →
 
The Manatees at Blue Springs
By Lewis Spratlan | For SATB Choir and Piano | 15′ Continue reading →
 
Dona Nobis Pacem
By Lewis Spratlan | For Double Chorus (SSAA, SATB) | 6′ Continue reading →
 
Après Moi, le Déluge
By Luna Pearl Woolf | For Solo Cello and SATB Choir a cappella | 26′ Continue reading →
 
Into the Twilight
By Luna Pearl Woolf | SATB Choir | 5′ Continue reading →
 
Songs for Women’s Chorus
By Luna Pearl Woolf | For SSAA Choir | 6′ Continue reading →
 
She Weeps Over Rahoon
By Luna Pearl Woolf | For Two Voices | 3′ Continue reading →
 
]]>Tom Morganhttp://www.choralnet.org/view/308142%pm, %13 %b %2012 %16:%Feb:%th 16FebUTChttp://www.choralnet.org/view/308142
Ars Nova Singers presents two performances of a cappella choral music from Renaissance England. William Byrd composed some of the most beautiful and stirring music for voices in the 16th century.  Byrd published his Mass settings for three and five voices between 1593 and 1595, in very small books without title or cover pages. These are very personal, intimate works; masterpieces for unaccompanied voices. The program will also include Thomas Tallis’ soaring Spem in alium, the famous 40-part motet, performed with one voice on each part. With the delicacy and strength of a spider’s web, these masterworks of vocal polyphony weave beautiful melodies together, balancing form and expression in sparkling demonstrations of musical genius. Thomas Edward Morgan, conductor
 
“Close your eyes, open your ears, and let your spirit soar…
[a] magnificent collection of voices…”  
– Westword, The Best of Denver
 
Friday, February 24, 7:30 p.m. - St. Paul’s Lutheran Church, 1600 Grant Street, Denver
Saturday, February 25, 7:30 p.m. - St. John’s Episcopal Church, 1419 Pine Street, Boulder
 
Tickets: $22 adults, $16 seniors, $11 college students, and $6 for youth (ages 6-18). For purchase by phone, please call the Ars Nova office at (303) 499-3165. 
Tickets available on our website: www.arsnovasingers.com
 
]]>John Hunter IIhttp://www.choralnet.org/view/308126%pm, %13 %b %2012 %15:%Feb:%th 15FebUTChttp://www.choralnet.org/view/308126 I have several copies of TTBB Music that I will sell at 1 dollar a piece.
 
The music has never been used. Clean pages. Only cosmetic damage on upper right corner from number labels.
 
17 copies of  - Brothers, Sing on  bye Howard D. McKinney  List price is 1.75   My price is 1.00
10 copies of - The Word was God. List Price is 1.80.  My price is 1.00
]]>dean luethihttp://www.choralnet.org/view/308122%pm, %13 %b %2012 %13:%Feb:%th 13FebUTChttp://www.choralnet.org/view/3081228:00 PM
Bryan Hall
Washington State University

On Thursday February 16th WSU's University Singers will present a new cantata written by Marc Robinson and Dean Luethi which highlights the music of the American Civil Rights Movement.

The cantata takes the audience through a musical journey from Rosa Park's historic bus ride through MLK's assassination. Portland gospel artist Marilyn Keller will join pianist Brian Ward, bass player Dave Snyder, percussionist Dave Jarvis, and narrator Bernadette Buchanan along with the WSU University Singers in songs including: This Little Light of Mine, Ain't Gonna Let Nobody Turn Me 'Round and many more.

The concert is free and open to the public.

]]>Singing Worldhttp://www.choralnet.org/view/308119%pm, %13 %b %2012 %13:%Feb:%th 13FebUTChttp://www.choralnet.org/view/308119
International festival of choral art “The Singing World”
St.Petersburg, Russia
August 3 – 8, 2012
August 2 – 7, 2013
This annual music event welcomes the choirs from around the world to perform the best pieces of choral singing, to share professional experience and to sing together to the thankful audience.
The Festival is held by the Committee for Culture, St. Petersburg City Administration, and “Inter Aspect” Centre of International Cooperation, with support from the State Cappella of St. Petersburg.
You are also welcome to make your choice as to take part in the International Choral Competition “The Singing World”.
www.singingworld.spb.ru
singingworld@mail.ru
 
]]>Thomas Wilsonhttp://www.choralnet.org/view/308121%pm, %13 %b %2012 %13:%Feb:%th 13FebUTChttp://www.choralnet.org/view/308121 I am a first year teacher that works in an urban high school. This school has not had a choir for five years, and I have been charged with starting one. I am mainly an instrumentalist, so the choral world is just now fully opening up to me. My main focus is starting a chamber choir, which I currently have 12 females and 2 males. I have NO IDEA what repertoire to study with them, but I do know it can't be anything corny. Easy music would be nice too, since most of these students have never been in a choir before. ]
 
Thank you in advance for your assistance!
]]>Richard Allen Roehttp://www.choralnet.org/view/308118%pm, %13 %b %2012 %13:%Feb:%th 13FebUTChttp://www.choralnet.org/view/308118 By Geoff Shearer
 
BRISBANE, AUSTRALIA -- The Kiwi high school teacher moved to England in 2010 to "get serious'' about his singing career. Now he's pinching himself as he finds he's in the group's royal court and about to embark on his first tour with them.
"I always wanted to be a professional singer, and I thought now's the time to head across and give it a go,'' says Christchurch-bred Bruerton about his move a few years ago to Oxford.  Bruerton, 27, was a member of the Christchurch Cathedral choir and was in the National Youth Choir of New Zealand when he was growing up.

"I had no idea I was going to get into The King's Singers  it's not the sort of the thing that you could really expect to aim for.
]]>Richard Allen Roehttp://www.choralnet.org/view/308116%pm, %13 %b %2012 %13:%Feb:%th 13FebUTChttp://www.choralnet.org/view/308116 NASHVILLE -- Christian singer Brandon Heath doesn't need to win a Grammy on Sunday to thank his biggest supporter publicly. She's going with him to the show.

The 33-year old Heath is taking his former high school choir teacher, Bobby Jean Frost. Heath is up for three awards, including best contemporary Christian album for "Leaving Eden" and contemporary Christian song and performance for "Your Love."  Frost taught at Nashville's Hillsboro High School for 31 years and had Heath for four of them.  Heath said that teaching can be one of the most thankless jobs, but that there are special teachers who make a difference.

"I thought she kind of gave me a gift when I was young and had a vision that I could succeed in music," said Heath. "So I wanted to just show her that she was right."

Frost calls it a huge honor to be going to the Grammys with Heath, and said: "When your students do succeed, it is not a thankless job."

]]>Richard Allen Roehttp://www.choralnet.org/view/308112%pm, %13 %b %2012 %13:%Feb:%th 13FebUTChttp://www.choralnet.org/view/308112 By Terry Horne
 
TEMPE, AZ -- The Tabernacle Choir and 110 members of the Orchestra at Temple Square are getting ready to perform at US Airways Center in a signature event of the Arizona Centennial Celebration.

But right now is my highlight. I get to be Dan Rather. He invented the idea of a journalist being embedded in a war when he hid in the rebel camps with Afghans who were fighting and defeating the Soviet Army.




Today I am embedded in the Mormon Tabernacle Choir. Those are words I never thought I would write. Unlike war, it is one of the safest places on the planet. Surely the Lord has to be watching over such an inspirational event.
I am led to the tenors. 
Moments before someone asked me and three other guest choir members what part of the choir we should be placed with. The other three said baritone. I gave an honest answer: "I don't sing."
 
]]>Allen H Simonhttp://www.choralnet.org/view/308087%am, %13 %b %2012 %00:%Feb:%th 0FebUTChttp://www.choralnet.org/view/308087 This one's been making the rounds lately.


There's actually duet and trio versions too.
]]>Scott Dorseyhttp://www.choralnet.org/view/306971%pm, %02 %b %2012 %15:%Feb:%nd 15FebUTChttp://www.choralnet.org/view/306971
The ACDA conference on Middle School & Junior High School music is just two weeks away.  In addition to the authentic middle-level choirs scheduled to perform, attendees will take part in  practical sessions, including:
   <> Panel Discussions
   <> Tone Development
   <> Participant Involvement
   <> Classroom Management
   <> Sight-reading & Literacy
   <> Physiology and Psychology
   <> Interactive Classroom Strategies
 
View the complete Event Profile.
 
]]>Scott Dorseyhttp://www.choralnet.org/view/306969%pm, %02 %b %2012 %15:%Feb:%nd 15FebUTChttp://www.choralnet.org/view/306969 ]]>John Hunter IIhttp://www.choralnet.org/view/308105%am, %13 %b %2012 %05:%Feb:%th 5FebUTChttp://www.choralnet.org/view/308105  
Auditions for The Salt and Light Chorale will be Febuary 13, 2012 from 10am - 12pm.
 
Location of the audtion is
The Winthrop School
905 Winthrop St.
Brooklyn, NY 11203
 
Financial compensation for selected singers is available.
 
If interested in auditioning, contact Conductor - John Hunter at hunterjj14@mounties.mansfield.edu
or contact Mr. John Robinson at 347-409-3860
 
For the auditions you will need to have at least one prepared piece and be prepared to sight read.
 
For more information please refer to our website at www.wix.com/choral316/saltandlightchorale
 
]]>carol barnetthttp://www.choralnet.org/view/308101%am, %13 %b %2012 %03:%Feb:%th 3FebUTChttp://www.choralnet.org/view/308101 SSA with two short S solos
a cappella
c. 11:00 minutes
seven short movements using traditional Requiem texts (Latin)
peruse and purchase at http://www.carolbarnett.net/publishing3.html#treble
]]>Erin Colwitzhttp://www.choralnet.org/view/308099%am, %13 %b %2012 %02:%Feb:%th 2FebUTChttp://www.choralnet.org/view/308099

Tarik O’Regan, Grammy-nominated composer and winner of two British Composer Awards, will visit Huntsville, AL as a composer-in-residence and Eminent Scholar at UAHuntsville during the week of Feb. 20. He will present lectures on both Thursday, Feb. 23 and Friday, Feb. 24 at Roberts Recital Hall and work with various choirs performing his pieces.

The UAHuntsville Concert Choir, along with the University of North Alabama’s Chamber Choir (Ian Loeppky, conductor), Nativity Episcopal’s Choir (Suzanne Purtee, conductor) and the Huntsville Youth Orchestra (Joe Lee, conductor) will perform the U.S. premiere of his work, Martyr, for choir, orchestra and soloists.  This stirring work, along with Haydn’s timeless “Lord Nelson Mass”, conducted by HYO director, Joe Lee, will be performed on Sunday, Feb. 26 at 3pm at Asbury Methodist Church in Madison.  Erin Colwitz will conduct the Martyr premiere. Other performances will include the Huntsville Youth Orchestra performing Mussorgsky’s Pictures at an Exhibition; the UAHuntsville Chamber Choir singing O’Regan’s work for a cappella chamber choir, Threshold of Night.  Soloists are Christie Weber, soprano, Melanie Scalfano, mezzo-Soprano, Stephen Smith, tenor, Lee Jackson, baritone, along with Mark Moorhead, organ.  All are welcome to attend.

Schedule of Events for Week of O’Regan’s Residency (Public events)

 

Thursday, February 23: O’Regan Lecture to UAHuntsville Music Students; UAHuntsville Music Department Forum

• 1110am – 1205pm
• Roberts Recital Hall

Friday, February 24: O’Regan Lecture (Composition as an Academic Discipline within the Humanities)

• 300pm
• Roberts Recital Hall

Sunday, February 26: U.S. premiere of Tarik O’Regan’s Martyr, Haydn’s Missa in Augustiis “Lord Nelson Mass”, Hob. Xxii:11 in D Minor, and Mussorgsky’s Pictures at an Exhibition, featuring the UAHuntsville Concert Choir, the University of North Alabama Chamber Choir, the Nativity Choir of the Church of the Nativity Episcopal Church, Huntsville, Alabama, and the Huntsville Youth Orchestra.  Erin Colwitz and Joe Lee, conductors.  Asbury Methodist Church, Madison, AL; 3pm.

 
]]>Lee Kesselmanhttp://www.choralnet.org/view/308097%am, %13 %b %2012 %02:%Feb:%th 2FebUTChttp://www.choralnet.org/view/308097 Kadosh: A(nother) Celebration of Jewish Music.
New Classic Singers
Lee R. Kesselman, Music Director,
William Buhr, piano/organ, Don Jacobs, Clarinet, Richard Armandi, bass, Steve Hawk, drums
 
Saturday, March 3rd, 8PM at Christ the King Catholic Church, 1501 S Main St, Lombard, IL
 
Settings of the Kadosh, Kiddush & Kaddish with a Klezmer dessert. Includes the premier of Lee Kesselman's Kaddish for My Father.
Tickets and info at www.newclassicsingers.org.
 
PROGRAM
 
I   Blessings
 
Hadlakat neyr shel Shabbat                   Max Janowski
Kiddush for Shabbat                             Louis Lewandowski                                                                                                                       
                                                         Ed. Max Janowski
Kiddush                                               Kurt Weill
                                                                                   
II Kadosh / Sanctus
 
Deutsche Kedushah                                        Louis Lewandowski
Sanctus in D Major (BWV 241, 1747-48)           Johann Sebastian Bach           
Sanctus (from MASS)                                      Leonard Bernstein
Kadosh/Benedictus (1999)                               Lee R. Kesselman           
Holy                                                              Bengt Hallberg
                                                                                   
III Kaddish
 
Kaddish                                                   Salamone Rossi
                                                                                   
Kaddish for My Father (Premiere)                Lee R. Kesselman
            for chorus, clarinet and piano
 
IV Tribute
 
T’filat Haderech                                       Debbie Friedman
                                                            Arr. Nancy Wertsch
Build This World                                      Debbie Friedman
                                                             Arr. Yaron Gershovsky
Mi Shebeirach                                         Debbie Friedman
                                                             Arr. Mary Feinsinger


V Kanuach  (dessert)
 
Ale Brider                              Yiddish Folksong arr. Joshua Jacobson
Der Rebe Elimelekh                 Yiddish Folksong
                                            Arr. Robert DeCormier
Hamisha Asar (in Ladino)         Flory Jagoda
                                            Arr. Nick Page
Simona MiDimona                     Shelomo Weissfish
                                               Arr. Joshua Jacobson
Dance the Horah!                           Arr. Joshua Jacobson
            Hey Harmonica                    Alkony
            Mayim, Mayim                Emanuel Amiran
                       
Rad Halaila (2007)                   Lee R. Kesselman
           
 
 
]]>Nicholas Campagnahttp://www.choralnet.org/view/308090%am, %13 %b %2012 %01:%Feb:%th 1FebUTChttp://www.choralnet.org/view/308090
Licensed Choral Music Teacher searching for a community choral director position, or full time teaching position for 2012-2013 school year.
 
Experience:
 
Medina High School – Assistant Director                                     Medina, OH
Instrumental Combo Director – Encore Entertainment Company            8/25-Present
North Royalton High School – Long Term Substitute          North Royalton, OH
Freshman Chorus, Concert Choir, Show Choir, Music Appreciation     8/25 - 11/11/11
Medina High School – Showtime 2011 Assistant Director            Medina, OH
Instrumental Band Director                                                          4/30 – 5/28/11
North Royalton Middle School – Long Term Substitute        North Royalton, OH
6th Grade Choir, 7th Grade General Music, Adaptive Music                   4/4 – 6/10/11
Claggett Middle School – Long Term Substitute                          Medina, OH
6th Grade Choir, 6th and 7th Grade General Music(Guitar)                  1/24 – 3/25/11
Medina High School  - Professional Intern in Teaching               Medina, OH
Taught 7 choirs of various styles and abilities                                8/25 – 11/23/10
Morrison Elementary School – Teaching Aide                              Athens, OH
Elementary General Music, individual recorder lessons                         Winter 2010
Logan-Hocking High School – Teaching Aide                               Logan, OH
Music Theory and Choir                                                                    Fall 2009
First Friends Childcare – Music Activity Planner                         Albany, OH
Taught music and movement activities to preschool children                  Fall 2009
Lancaster Chorale – Paid chorus member                                Lancaster, OH
Rehearsed and performed with a professional choir and orchestra         Winter 2008
Alexander High School – Teaching Aide                                     Albany, OH
Choir, Theater, Piano, and Sound Design class instructor                       Fall 2008
 
Currently holds an Ohio Teaching License for Music K-12
Proficient with music software including Finale, GarageBand, Band in a Box, Sibelius
 
 
Please contact:
Nicholas Campagna
nick.campagna1@gmail.com
 
]]>Heidi Schnarrhttp://www.choralnet.org/view/308082%pm, %12 %b %2012 %23:%Feb:%th 23FebUTChttp://www.choralnet.org/view/308082 Dear ChoralNet friends,
 
I am looking for part-time work while I am in school earning a Master's degree in Choral Conducting.  I currently have a church position.  I have experience teaching music in public and private schools, and teaching private piano and voice lessons.  I am also an accomplished accompanist.  If you can recommend students (or positions) to me I would gladly appreciate it.  I am also willing to do some assistant conducting pro bono, to gain experience.  I live in Red Hook, NY and attend Bard College.  Resume and references available upon request.  Thanks for your assistance!
]]>Christopher McCaffertyhttp://www.choralnet.org/view/308058%pm, %12 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/308058 Hello, all.

We stumbled into one of Georgiy Smirnov's wonderful arrangements of Russian music for male choir, but I'm having a dickens of a time finding any contact / publisher info for him obtain the rights to perform.  Would anyone happen to have Mr Smirnov contact info, or that of the group (besides the info(a)precentor.ru tried that, no response yet).
 
Thank you!  Excited about this concert!
 
Chris
 
Christopher J McCafferty
Artistic Director, Illumni Men's Chorale
]]>June Thompsonhttp://www.choralnet.org/view/308062%pm, %12 %b %2012 %19:%Feb:%th 19FebUTChttp://www.choralnet.org/view/308062 Our church is looking for a regular Sunday Organist.  Please contact June Thompson at scottandjunethompson@gmail.com if interested in applying or if would like more information.  First Church of Christ, Scientist, Midland Park, NJ, 259 Godwin Ave.  Rate: $150-160 per week as contractor. ]]>Robin Freemanhttp://www.choralnet.org/view/308059%pm, %12 %b %2012 %19:%Feb:%th 19FebUTChttp://www.choralnet.org/view/308059

Join us for an exquisite evening of liturgical music sung in the traditional styles of Orthodox Christian churches worldwide. In a multi-media program that interweaves luminous icons, sacred texts, and a rich a cappella sound, the St. Vladimir's Seminary Chorale will perform ORIENT: Sacred Song and Image at the famous St. Malachy's,"The Actors' Chapel," in the heart of Manhattan, at 239 West 49th Street, New York City. This stirring concert will begin at 7:30 p.m. on Monday, May 7th, 2012.

The concert program will include pieces from the broader Orthodox tradition sung in their original languages— Greek, Georgian, Estonian, Slavonic—as well as choral music by Orthodox composers written for the concert hall. Two visual projections—one of images of Orthodox icons and the other of translations of musical texts—will run simultaneously as the chorale sings. Icons, music, and text will expound one another, just as they do within the Orthodox liturgy. The concert will combine the best elements of a professional choral performance with the depth and authenticity of the Orthodox liturgical experience, resulting in a truly beautiful multimedia artistic performance, and a full, authentic vision of the Orthodox Christian faith.

The chorale will be directed by Hierodeacon Herman, Lecturer in Liturgical Music and Chapel Choir Director at the seminary, and Matushka Robin Freeman, who created the concert format and conducted in its premiere at Indiana University’s Jacobs School of Music in 2010.

Tickets are $25, and may be purchased online here. Your printed registration form will serve as your admission ticket.

Limited seating will be available at the door (cash only) the evening of the concert.

 
]]>Elizabeth Bakerhttp://www.choralnet.org/view/308044%pm, %12 %b %2012 %17:%Feb:%th 17FebUTChttp://www.choralnet.org/view/308044 Music at Westwood
Westwood Presbyterian Church
Los Angeles
 

Westwood Presbyterian Church, as part of its Music at Westwood Concert Series, hosts an evening of special programming for the Lenten season on Friday, March 9 at 8pm.　 Westwood Presbyterian Church is located at 10822 Wilshire Boulevard, Los Angeles, near the UCLA campus.　

　　　　 The evening’s program weaves together a beautiful, intense drama of the last days of Jesus Christ, from the Garden of Gethsemane to the crucifixion as conveyed through the music of three contemporary American composers and culminating in the uplifting spirituals by Chanticleer and Burroughs. Beginning with The Beatitudes by Paul Cummings and followed by an organ interlude of the famous toccata from Suite Opus 5 by Maurice Durufle’, the program continues with Passion of the Christ by John-Kevin Hilbert.　 With undertones suggestive of Benjamin Britten, this work captures the dramatic period between Christ’s arrest to his crucifixion.　 The theme of the Resurrection and eternal light continues with the highlight of the evening: the renown work Lux Aeterna by 2007 National Medal of Arts recipient Morten Lauridsen and concludes with the spirituals Steal Away and Lord What a Morning.

　　　　 The evening’s program is performed by the Westwood Presbyterian Church Chancel Choir, Westwood Chamber Orchestra, and soloists: Holly Sedillos, soprano; Cristina Foster, soprano; Lauren Edwards, alto; Leslie Ann Cook, alto; Gabriel Silva, tenor; Ian Elder, tenor; Brian Vu, baritone and Paul Cummings, baritone, under the direction of conductor John-Kevin Hilbert.

　　　　 Admission for this memorable evening is $10 for students and $20 for adults.  Tickets/info: (310) 474-4535.  On the web at www.westwoodpres.org.

　

 
]]>Andrew Cumbowhttp://www.choralnet.org/view/308037%pm, %12 %b %2012 %14:%Feb:%th 14FebUTChttp://www.choralnet.org/view/308037 Hey everybody,
 
I direct a small church choir in a Presbyterian Church of about 300 members. We have between 8 and 12 in the choir, with two strong basses and one tenor. Last year we combined with another church choir to do a Good Friday service (something neither congregation typcially did) and we are doing it again this year. By combining the groups we are able to do literature that the two of us wouldn't be able to do normally. Unfortunately this tends to use up an incredible amount of time and resources. Last year, Easter suffered a bit because I couldn't find a suitable anthem that fit the size, budget, and time requirements of my group.
 
I'd like to get some suggestions from some more experienced church musicians. Does anyone have some suggestions of good, quality Easter anthems for a smaller choir. We have no budget for guest instrumentalists. Four-part harmony requires intuitive part-writing or limited use. A capella anthems would be too difficult with all of the Good Friday music. We do have both organ and piano in our sanctuary.
 
Thanks in advance!
 
Andrew Cumbow
]]>Chris Watsonhttp://www.choralnet.org/view/308028%pm, %12 %b %2012 %13:%Feb:%th 13FebUTChttp://www.choralnet.org/view/308028Chris]]>Scott Griffinhttp://www.choralnet.org/view/308029%pm, %12 %b %2012 %13:%Feb:%th 13FebUTChttp://www.choralnet.org/view/308029Watch the video here: http://www.youtube.com/watch?v=UpMKpOe4ORs
See the score here: www.gordonhamilton.com.au

From the composer, Gordon Hamilton:

"During my piano studies, one of my favourite pieces was Michael Tippett's Second Piano Sonata, which uses his disjunct mosaic form: instead of music flowing, through a logical sequence of harmony, melody and tempo, he (and other composers, including Stravinsky, Messiaen and my own teacher Butterley) created tiny fragments of music -- totally contrasting in character -- which cascade into each other: an aural mosaic. Tra$h Ma$h is a piece made up entirely of musical quotes lifted directly from modern pop songs and mashed together using the Tippet technique (perfect for our 21st century attention spans!) Deep down, I love trashy pop, and the singers in The Australian Voices are mostly under 21. We had a whole lot of parties to find the best (and worst) songs of 2011 to mash together in a kind of 60's disjunct treatment of pop, chopping it up and sticking it back together in a way that was never intended. I think it can be ridiculous and transcendent at the same time. I include a fragment of Eric Whitacre's Sleep, which everyone knows as the composition from his "Virtual Choir 2.0" online performance (borrowed with affection, Eric!). I didn't actually compose a single note of this piece. I still think of this as my composition... Why? Well, I sometimes like to think of the composer in its etymological meaning: com-pose (together-put). Tra$h Ma$h draws into question what words like "pop", "classical", "composer" and "choir" mean."

]]>Andrew Boddickerhttp://www.choralnet.org/view/308010%pm, %11 %b %2012 %23:%Feb:%th 23FebUTChttp://www.choralnet.org/view/308010
Interview Participants Needed: Teaching Popular Music in the Elementary Classroom
 
My name is Andrew Boddicker and I am a graduate student in Music Education at the University of Illinois in Urbana/Champaign. I am looking to interview elementary educators who use popular music in their teaching. This research will give voice and credence to views regarding popular music instruction and situate the learning and teaching going on during instruction. Very limited information is known about popular music teaching in the elementary school and the hope is to begin to understand how educators are teaching popular music and how it relates to current trends, research, and theory on the topic.
 
During the interview you will be asked about your teaching methods, your personal history and experience with popular music, how you teach and/or use popular music, and your school (demographics, size, frequency of music instruction, etc.).
 
If you are interested in participating please know that your contribution to the research will remain confidential and pseudonyms will be used in the presentation of results. The interview itself will take place over the phone or via Skype and will take no longer than an hour. A follow-up e-mail or conversation over the phone may take place if the researcher would like more information.
 
If you are interested in participating or have any questions about the project please contact the me, Andrew Boddicker at andrewboddicker(a)gmail.com, or the principal investigator Dr. Matthew Thibeault at mdthib(a)illinois.edu, 217.894.654 ext.14.
 
Thank you for your interest.
 
]]>Christopher Hohhttp://www.choralnet.org/view/308026%pm, %12 %b %2012 %12:%Feb:%th 12FebUTChttp://www.choralnet.org/view/308026 Does anyone know of a recording of Hugo Weisgall's "Evening Prayer"  (Ki El Shomrenu) for SATB a cappella, published by Theodore Presser?  I'd be grateful for leads to performances in either English or Hebrew.  2012 is the 100th anniversary of his birth, so I hope this and other Weisgall choral work will get more performances.  Thanks, chris hoh ]]>Scott Dorseyhttp://www.choralnet.org/view/306964%pm, %02 %b %2012 %15:%Feb:%nd 15FebUTChttp://www.choralnet.org/view/306964

[video]


 
]]>philip copelandhttp://www.choralnet.org/view/308020%am, %12 %b %2012 %04:%Feb:%th 4FebUTChttp://www.choralnet.org/view/308020
Twitter was buzzing Saturday evening with news of Whitney Houston's untimely death.  Nearly every other person tweeted that heaven had gained another member for the angelic choir.
 
To be sure, the world lost a great talent.
 
ChoralNet has mentioned Whitney a number of time through the years, whether it was:
• the influence of choir on her early life
• vocal health issues
• register shifts
Rest in Peace, Whitney.



 
 
]]>Andrew Falluhttp://www.choralnet.org/view/308023%am, %12 %b %2012 %05:%Feb:%th 5FebUTChttp://www.choralnet.org/view/308023 Hi all, I'm a longtime reader/lurker around here, but first time poster/begger of assistance. 
 
I recently graduated college with my music ed. degree, and found my way into a position at a private school less than a week before the school year started. (I moved across 3 states on Labor Day, to start school the next morning. It was a fun 24 hour period!) My position currently entails 1-6th General Music twice a week for each grade, pushing in with my trusty cart, 7-8th grade chorus twice a week split by gender, so that I see the boys alone twice and the girls alone twice, and finally a high school elective chorus for 9-12th grade. In addition, I'll be teaching a month-ish long block on music history to the junior class in less than a month, and I assist with various class performances, drama club, musical productions, etc. Basically, I try to keep myself busy. 
 
The high school chorus is where I could use some (a LOT) of advice/assitasnce. The choir consists of 30 members, a vast majority of which are freshmen boys. I made the desicion to work with the choir in a SAB format instead of trying to split into SATB parts, mainly because the boys are not the most confident of singers yet, and some still have trouble reading music, let alone singing out confidently and loudly so I can hear their mistakes. Normally I wouldn't mind, but ever since about October I have been met with a great deal of resistance from these boys. While not all of them are explicitly negative or confrontational in chorus, there are a few who just flat out don't want to be doing what we are doing. No matter what I have tried, I can't seem to find some way to spark some interest or turn around the negative attitudes. It's gotten to the point where several of them will just constantly talk during rehearsal, no matter what I say or do, even after keeping them after multiple times to talk to them after class. Even the girls are starting to get annoyed, as last rehearsal several of them had looks on their faces that were reflecting what I was feeling/thinking. 
 
Now, I know that sightreading and basic vocal/choral technique is not the most interesting thing to everyone out there, ESPECIALLY to high school boys, but when they still have trouble staying on their own part in pieces where they have harmony against the girls I'm going to take the time to try to work them up to a higher level of independence and musicianship than what they had coming in; otherwise what is the point? Historically this class has had problems with singing, ever since they were in first grade, and especially last year where they went through multiple chorus teachers in one year. I want to find some way to get them interested and much more engaged, (and cooperative, if at all possible,) so that we at LEAST have a common ground to start from so we can work on their abilities together. I'm not expecting to be able to sing Whitacre by the end of the year or anything ridiculous, I would be ecstatic if I had a strong baritone section that could hold their own part down strongly, and that could at least begin to understand how to go about sightreading. 
 
I know that the fact that I'm a very young, brand new teacher probably doesn't help me very much, and I will occasionally get the feeling that some of the boys just don't want to listen to a teacher who looks like he's as old as them. (Even though I'm not.) I'm just looking for some magical, instant, fix all cure that will make this all better. If everyone is out of their magic supply for the month, I will gladly take any tips, suggestions, ideas, etc instead. :) Thanks in advance to anyone who sees this and can help!
]]>Anne Evanshttp://www.choralnet.org/view/307983%pm, %11 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/307983Item: Salve Regina
Composer/Arranger/Edition: Sister Act
Starting: Feb
For: 5 months
Copies: 25
Willing to rent: Yes
 
We are putting on a concert to Celebrate the Queens Jubilee and in aid the Rotary Club towards their fund to eradicate Polio ( only two countries left where polio is rife) and are looking for some quirky numbers to sing. Where can I buy or borrow a vocal score. Your help would be much appreciated.
Anne Evans of Aliquando Choir
]]>Christopher Coxhttp://www.choralnet.org/view/307974%pm, %11 %b %2012 %17:%Feb:%th 17FebUTChttp://www.choralnet.org/view/307974 Southminster Presbyterian Church
680 South Park Blvd
Glen Ellyn, IL 60137

Is seeking a part time (20/hr week) Director of Music. Currently the congregation has one blended in style worship service on Sunday mornings @ 9:30AM

1) Work w/ Pastor in selection of music for worship services and special events (Holy week, youth Sunday)
2) Play organ, piano, and keyboard music as required for the worship services.
3) Direct adult and children's choirs in rehearsal and services
4) Act as resource person for the Worship Ministry and christian Education Ministry, assisting in the execution of worship and music goals of the church
5) Work collegially with Pastor, Director of Christian Education and Youth Director in the ministry goals of Southminster
6) Organize and maintain the music libraries for the choirs
7) Identify vocal soloists and instrumentalists from the choir and congregation and/or guests as needed and incorporate them at worship services and special programs
8) arrange for a substitute director or organist when necessary
9) Provide appropriate music for weddings and funerals when needed and if schedules permist (these services receive additional honoraria)
10) To oversee the maintenace/tuning of instruments as needed during the time frame of the position.
11) Make arrangements for summer special music.

For a more detailed job description, or if you have questions please contact:
Pastor Wendy Boden e-mail - wboden@ameritech.netcell phone - 630.917.6033 ]]>Robert Kennedyhttp://www.choralnet.org/view/307956%pm, %11 %b %2012 %13:%Feb:%th 13FebUTChttp://www.choralnet.org/view/307956 Great Sacred Music airs from 8-11 eastern every Sunday morning. The program can be heard on 89.7 fm in
central North Carolina and online at http://theclassicalstation.org
 

08:00:20
Thomas Tallis: If ye love me
The King's Singers

08:04:07
John Rutter: Come Down, O Love Divine
Cambridge Singers, John Rutter
Elin Manahan Thomas, soprano

08:11:28
William Byrd: Tribue, Domine
Tallis Scholars, Peter Phillips

08:24:15
Imant Raminsh: Ave verum corpus
Choir of St. John's, Elora, Noel Edison

08:31:30
Sir William Harris: King of Glory
Choir of St. George's Chapel, Windsor Castle
Timothy Byram-Wigfield
Roger Judd, organ

08:37:48
Johannes Brahms: How lovely is thy dwelling place ~ A German Requiem
Atlanta Symphony Orchestra and Chorus, Robert Shaw

08:44:43
Gerald Finzi: God is gone up
Finzi Singers, Paul Spicer
Harry Bicket, organ

08:50:04
Marcel Dupre: Three Elevations, Op. 32
Mary Preston, organ
Fisk organ at Meyerson Hall, Dallas

09:01:26
J.S. Bach: Cantata 194, "Hochsterwunschtes Freudenfest"
Amsterdam Baroque Orchestra and Choir, Ton Koopman
Sibylla Rubens, soprano; Bernhard Landauer, alto; Christoph Pregardien, tenor; Klaus Mertens, bass

09:39:37
W.A. Mozart: Missa solemnis in C, K. 337
Leipzig Radio Chorus and Symphony Orchestra, Herbert Kegel
Mitsuko Shirai, soprano; Rosemarie Lang, contralto; Aldo Baldin, tenor; Hermann Christian
Polster, bass

10:02:46
Jean-Baptiste Lully: Te Deum
Le Concert Spirituel, Herve Niquet

10:33:13
Franz Liszt: Ad nos, ad salutarem undam
Zsigmond Szathmary, organ
]]>Allen H Simonhttp://www.choralnet.org/view/307326%pm, %05 %b %2012 %21:%Feb:%th 21FebUTChttp://www.choralnet.org/view/307326 A Toronto TV program (not embeddable) describes this as a "flash choir", but it's really just a casual singing group which meets weekly for fun. 
 
Choir! Choir! Choir! is the name of the group, and they have the most interesting website design: it all scrolls horizontally rather than vertically.
]]>Scott Dorseyhttp://www.choralnet.org/view/306839%pm, %01 %b %2012 %16:%Feb:%st 16FebUTChttp://www.choralnet.org/view/306839
The ACDA Southern Division Conference is just two weeks away.  This grand event takes place February 29-March 3 in Winston-Salem, North Carolina.  This is one of seven divisional conferences being offered by ACDA in 2012.
 
“This is an event not to be missed,” said Southern Division President, Tom Shelton. “In addition to a thrilling list of sessions and concerts, we are offering a performance by Seraphic Fire.  This ensemble was just nominated for two Grammy Awards.”
 
View the complete Conference Profile or Register On-Line.
 
]]>Nicholas Campagnahttp://www.choralnet.org/view/307948%am, %11 %b %2012 %02:%Feb:%th 2FebUTChttp://www.choralnet.org/view/307948
Licensed Choral Music Teacher searching for a community choral director position, or full time teaching position for 2012-2013 school year.
 
Experience:
 
Medina High School – Assistant Director                                     Medina, OH
Instrumental Combo Director – Encore Entertainment Company            8/25-Present
North Royalton High School – Long Term Substitute          North Royalton, OH
Freshman Chorus, Concert Choir, Show Choir, Music Appreciation     8/25 - 11/11/11
Medina High School – Showtime 2011 Assistant Director            Medina, OH
Instrumental Band Director                                                          4/30 – 5/28/11
North Royalton Middle School – Long Term Substitute        North Royalton, OH
6th Grade Choir, 7th Grade General Music, Adaptive Music                   4/4 – 6/10/11
Claggett Middle School – Long Term Substitute                          Medina, OH
6th Grade Choir, 6th and 7th Grade General Music(Guitar)                  1/24 – 3/25/11
Medina High School  - Professional Intern in Teaching               Medina, OH
Taught 7 choirs of various styles and abilities                                8/25 – 11/23/10
Morrison Elementary School – Teaching Aide                              Athens, OH
Elementary General Music, individual recorder lessons                         Winter 2010
Logan-Hocking High School – Teaching Aide                               Logan, OH
Music Theory and Choir                                                                    Fall 2009
First Friends Childcare – Music Activity Planner                         Albany, OH
Taught music and movement activities to preschool children                  Fall 2009
Lancaster Chorale – Paid chorus member                                Lancaster, OH
Rehearsed and performed with a professional choir and orchestra         Winter 2008
Alexander High School – Teaching Aide                                     Albany, OH
Choir, Theater, Piano, and Sound Design class instructor                       Fall 2008
 
Currently holds an Ohio Teaching License for Music K-12
Proficient with music software including Finale, GarageBand, Band in a Box, Sibelius
 
 
Please contact:
Nicholas Campagna
nick.campagna1@gmail.com
 
]]>Philip Brunellehttp://www.choralnet.org/view/307935%pm, %10 %b %2012 %23:%Feb:%th 23FebUTChttp://www.choralnet.org/view/307935
Registration to audition for the 2012-2012 VocalEssence concert season is now open. Auditions are scheduled by appointment from March 31 - June 2, 2012 for new members of the Ensemble Singers and Volunteer Chorus. Upcoming dates include:
 
March 31, 2012 - 9am-5pm
May 6, 2012 - 1-5pm
May 19, 2012 - 9am-5pm
June 2, 2012 - 9am-5pm
 
The VocalEssence Volunteer Chorus is a volunteer based ensemble of approximately 90 singers. The rehearsal runs from 7-9:30pm on Tuesday evenings plus dress rehearsals for each concert. Chorus members sing on most season and community concerts and are featured on many VocalEssence recordings. See below for audition information and requirements for both groups.
 
Rehearsals are held on Tuesday evenings from September through June, plus special rehearsals and dress rehearsals as needed for each concert. Most rehearsals take place at Plymouth Congregational Church in Minneapolis. VocalEssence singers are expected to commit to the full VocalEssence concert season.

AUDITION REQUIREMENTS

The 10-minute audition consists of one prepared piece (classical or sacred/gospel, memorization not required), sight reading, and tonal memory. There is a $10 fee if auditioning for the Volunteer Chorus. Current Volunteer Chorus members re-audition biennially (every odd numbered year).

Register to audition at www.vocalessence.org/audition.

 
]]>Philip Brunellehttp://www.choralnet.org/view/307934%pm, %10 %b %2012 %23:%Feb:%th 23FebUTChttp://www.choralnet.org/view/307934 Registration to audition for the 2012-2012 VocalEssence concert season is now open. Auditions are scheduled by appointment from March 31 - June 2, 2012 for new members of the Ensemble Singers and Volunteer Chorus. Upcoming dates include:
 
March 31, 2012 - 9am-5pm
May 6, 2012 - 1-5pm
May 19, 2012 - 9am-5pm
June 2, 2012 - 9am-5pm
Ensemble Singer Callbacks - June 7, 2012 - 6-9pm
 
The VocalEssence Ensemble Singers are a paid professional chorus of 32 singers. The Ensemble Singers have a rigorous schedule and typically rehearse from 6:30-9:30pm on Tuesday evenings plus other special rehearsals as needed. The singers perform at most season and community concerts, plus local, national and international tours, recordings, radio broadcasts, daytime performances and for other special occasions, including regular appearances on Garrison Keillor's A Prairie Home Companion.
 
Rehearsals are held on Tuesday evenings from September through June, plus special rehearsals and dress rehearsals as needed for each concert. Most rehearsals take place at Plymouth Congregational Church in Minneapolis. VocalEssence singers are expected to commit to the full VocalEssence concert season.

AUDITION REQUIREMENTS

Eight paid positions per section; professional experience required. The 15-minute audition consists of two prepared pieces (at least one in a foreign language––memorization not required), sight reading, and tonal memory. There is a $15 fee if auditioning for the Ensemble Singers. Current Ensemble Singers re-audition annually.

 

Register to audition at www.vocalessence.org/audition.

 

]]>Eddie B Creer, Jr.http://www.choralnet.org/view/307904%pm, %10 %b %2012 %20:%Feb:%th 20FebUTChttp://www.choralnet.org/view/307904 Salina South Middle School has an opening for a 7th-8th grade Vocal and General Music teacher. The general music and vocal classes last for a semester. The full year 8th grade vocal class is a show choir called The Sensations. The retiring teacher is fininshing 28 years at the position.  The retiring teaher could accompany rehearsals and classes. He would have a different accompanist for performances. I don't know what the arrangements were for the accompanist. I am the South High School vocal director and have a vested interest in his replacement. ]]>Robin Freemanhttp://www.choralnet.org/view/307909%pm, %10 %b %2012 %20:%Feb:%th 20FebUTChttp://www.choralnet.org/view/307909

Join us for an exquisite evening of liturgical music sung in the traditional styles of Orthodox Christian churches worldwide. In a multi-media program that interweaves luminous icons, sacred texts, and a rich a cappella sound, the St. Vladimir's Seminary Chorale will perform ORIENT: Sacred Song and Image at the famous St. Malachy's,"The Actors' Chapel," in the heart of Manhattan, at 239 West 49th Street, New York City. This stirring concert will begin at 7:30 p.m.

The concert program will include pieces from the broader Orthodox tradition sung in their original languages— Greek, Georgian, Estonian, Slavonic—as well as choral music by Orthodox composers written for the concert hall. Two visual projections—one of images of Orthodox icons and the other of translations of musical texts—will run simultaneously as the chorale sings. Icons, music, and text will expound one another, just as they do within the Orthodox liturgy. The concert will combine the best elements of a professional choral performance with the depth and authenticity of the Orthodox liturgical experience, resulting in a truly beautiful multimedia artistic performance, and a full, authentic vision of the Orthodox Christian faith.

The chorale will be directed by Hierodeacon Herman, Lecturer in Liturgical Music and Chapel Choir Director at the seminary, and Matushka Robin Freeman, who created the concert format and conducted in its premiere at Indiana University’s Jacobs School of Music in 2010.

Tickets are $25, and may be purchased online here. Your printed registration form will serve as your admission ticket.

Limited seating will be available at the door (cash only) the evening of the concert.

 
]]>Joy DeCoursey-Porterhttp://www.choralnet.org/view/307905%pm, %10 %b %2012 %20:%Feb:%th 20FebUTChttp://www.choralnet.org/view/307905 The Cascadian Chorale here presents words and music written for those who have passed on. Peter Winkler’s Requiem aeternam commemorates the 9/11 attacks, and John Muehleisen’s Peace, Night, Sleep is dedicated to the victims of the recent Japanese earthquake and tsunami. Shakespeare reminds us, through music of Ralph Vaughan Williams, that “our little life is rounded with a sleep.” Bach’s motet Komm, Jesu, komm illustrates how death may always be greeted with grace, melody, and hope.
 

Saturday March 24, 2012 7:00 p.m. St. Thomas Episcopal Church 8398 NE 12th Street Medina, Washington Tickets

Sunday, March 25, 2012 3:00 p.m. Shepherd of the Valley Lutheran Church 23855 SE 216th Street Maple Valley, WA

 
WHO ARE WE?
 
The Cascadian Chorale is a Bellevue-based community choir dedicated to the performance and promotion of fine choral music. The Chorale has performed at Benaroya Hall and Town Hall in Seattle, the Bellevue Art Museum and Meydenbauer Center in Bellevue, Bastyr University Chapel, and many other outstanding venues. Recent repertoire includes the Requiems of Brahms, Duruflé, Fauré and Mozart, and Te Deum settings by Handel, Bern Herbolsheimer and Arvo Pärt.
]]>Nancy McPikehttp://www.choralnet.org/view/307898%pm, %10 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/307898
We are in need of a few good men!

Okay, maybe more than a few…

Yes, and a few good women as well.


Our 2012 spring (May) concert, Around the World in Song and Verse, features music reflecting and honoring the diversity of our Chicago neighborhoods. Repertoire for this musical adventure will include works by Ernst Toch (Geographical Fugue), Stephen Paulus (The Road Home), R. Murray Schafer (Gamelan), Jerry Sperling/Nurit Hirsh (Children of Peace),  and John Rutter (arrangement, When the Saints Go Marching In), among others.

Additionally, we will be featuring the Chicago premier of a trio of Lebanese love songs, with arrangements by Iyad Kanaan and Toufic Succar.

We would love to have you join us in song. For further information, please contact us at 773-425-2692.

Edgewater Singers performs both traditional and contemporary choral music of various styles and genres in the Edgewater, Chicago neighborhood.
 
]]>Bogna McGarriglehttp://www.choralnet.org/view/307876%pm, %10 %b %2012 %15:%Feb:%th 15FebUTChttp://www.choralnet.org/view/307876 St. Mary of the Assumption Church in Katonah, Westchester, NY is looking for a tenor section leader for SATB choir. Thursday rehearsal 7-9 pm, Sunday Mass at 11:30 am.
Compensation dependent on experience and skills. If interested please contact Music Director Bogna McGarrigle.
]]>Les Sperhttp://www.choralnet.org/view/307868%pm, %10 %b %2012 %14:%Feb:%th 14FebUTChttp://www.choralnet.org/view/307868

Executive Director  - Sweet Adelines International	Location	Tulsa, OK
Salary	Based on experience	Last Updated	1/19/2012

 
Sweet Adelines International is a worldwide organization of women singers committed to advancing the musical art form of barbershop harmony through education, competition and performance.
 
Founded in 1945 and headquartered in Tulsa, Oklahoma, Sweet Adelines International is the leading educational organization for women’s barbershop singing.  With a full-time staff of 25 and 24,000 members in over 500 choruses across five continents, it is the largest women’s singing organization in the world.  Visit the organization’s website at www.sweetadelineintl.org .
 
JOB SUMMARY: 
 
The Executive Director will report to the Board of Directors and be responsible for the overall management and day-to-day leadership of the organization at its headquarters in Tulsa, Oklahoma.  With a passion for vocal music and the arts, she/he will inspire and motivate a dedicated staff and community of volunteers. The Executive Director will help develop and execute initiatives that promote membership growth, enhance the visibility of Sweet Adelines worldwide, and ensure the continued financial strength of the organization.  The Executive Director will also participate in the strategic planning process with the Board and lead the execution of the annual and long range strategic plans.
 
KEY JOB RESPONSIBILITIES:
 
·        Board Partnership and Executive Management: Work closely with the Board of Directors and lead the senior management team. Participate in the development and lead the execution of annual and long range plans, in conjunction with the Board of Directors, to promote the mission and health of the organization. Serve as the key liaison between the Board and headquarters staff and represent the interests and needs of the staff. Help to create and implement a performance measurement system of our membership, program, and financial goals and have overall accountability to the Board for the successful implementation of member educational programs, events and services.
 
·        Marketing and Community Involvement: Assess the image of the organization in the marketplace and help make any refinements necessary to project a vibrant, contemporary identity to members, prospective members and the broader arts community. Enhance the visibility of the organization worldwide through effective public relations and marketing efforts to promote membership growth. Be an active presence in the arts community through attendance at key conferences and speaking/networking at high profile events.
 
·        Volunteer Leadership: Provide guidance, support and inspiration to key volunteer leaders and their committee members. Facilitate communication and cultivate productive working relationships between headquarters staff and members involved in the development and delivery of member education, organizational programs, materials and events.
 
·        Fundraising and Resource Development: Lead fundraising efforts, including donor programs and potential corporate sponsorships, grants and other initiatives that might represent new streams of revenue for the organization.
 
·        Fiscal Management:  Lead the development of the annual budget and, once approved by the Board, take overall responsibility for financial planning and monitoring to ensure that the organization is operating efficiently and within budget.
 
·        Administration and Operations Management: Provide support and oversight to key departments, including Finance & Administration, Communications, Education, Information Technology, Meetings & Corporate Services, Sales and Music Services.  Ensure that all Human Resource functions, including legal requirements, salary & benefits, recruitment, staff development, and employee relations are managed in a proactive and professional manner. Maintain a positive work environment that attracts, motivates and retains top-quality staff personnel. 
 
IDEAL CANDIDATE’S EXPERIENCE AND QUALIFICATIONS:
 
Experience:
-          10+ years of strong general management experience, including managing a team of at least six direct reports and knowledge of HR issues; non-profit experience a plus
-          Significant marketing, sales and/or public relations experience that drove membership/customer development and engagement
-          Profit & Loss responsibility for a budget in excess of $5 million
-          Demonstrated success in fundraising for a non-profit organization
-          Experience working with a Board of Directors
-          Global perspective and experience working with diverse cultures a plus
-          Experience building a results-oriented culture where performance is measured and success is rewarded


 
 
Qualifications:
-          A collaborative management style that resonates with professional staff and volunteers
-          Excellent written and verbal communication skills, including public speaking
-          Passion for vocal music and performance or other arts-related field
-          Dynamic leader who can facilitate change and help create a culture of innovation
-          Undergraduate degree required; MBA or other advanced degree a plus
-          Ability to travel 4-6 times per year, including attendance at major competitions, conventions and educational events, and availability for frequent weekend meetings with volunteer committees and the Board
-          Proficient in the use of Microsoft Office, including PowerPoint, Word, and Excel
 
ADDITIONAL COMMENTS:
 
Sweet Adelines International offers a competitive salary and benefits package and an upbeat, flexible work environment.  This is a unique opportunity to lead a strong, well-respected arts organization to its next level of growth and worldwide acclaim. 
   

Contact	Les Sper	Phone	513.842.5315
		Email	lsper@baldwingilman.com

 
]]>Sarah Bloomfieldhttp://www.choralnet.org/view/307852%am, %10 %b %2012 %05:%Feb:%th 5FebUTChttp://www.choralnet.org/view/307852Item: Copies of the music "Thy Cross We Worship"
Composer/Arranger/Edition: Goncharov
Starting: ASAP
For: Through April
Copies: 6
Willing to rent: No
 
Looking for this piece, which is in the public domain but hard to find.
 
Here is a recording.

Thanks for helping us out!
]]>Sarah Bloomfieldhttp://www.choralnet.org/view/307851%am, %10 %b %2012 %05:%Feb:%th 5FebUTChttp://www.choralnet.org/view/307851Item: The PreEternal Council
Composer/Arranger/Edition: Chesnokov (TTBB with B solo)
Starting: ASAP!
For: Until April
Copies: 6
Willing to rent: No
 
Trying to find The PreEternal Council by Chesnokov.  Is in the public domain but can't find a copy.
 
Here is a recording.
]]>C. Carroll Colehttp://www.choralnet.org/view/307886%pm, %10 %b %2012 %16:%Feb:%th 16FebUTChttp://www.choralnet.org/view/307886 ]]>Katherine Beckerhttp://www.choralnet.org/view/307885%pm, %10 %b %2012 %16:%Feb:%th 16FebUTChttp://www.choralnet.org/view/307885
Lift your spirits with The Masterwork Chorus and Chamber Orchestra on Saturday, May 5, 2012 at 8 pm at The Concert Hall, Dorothy Young Center for the Arts, Drew University, Madison, NJ. Andrew Megill conducts the 100-voice chorus in Antonio Vivaldi’s Magnificat and Beatus Vir, Gerald Finzi’s Magnificat, New Jersey composer Chris DeBlasio’s Best Beloved and other works. For tickets call973-455-7000 or go to www.Masterwork.org
 
 
 
]]>Richard Allen Roehttp://www.choralnet.org/view/307862%pm, %10 %b %2012 %13:%Feb:%th 13FebUTChttp://www.choralnet.org/view/307862 By Mitch Albom
 
DETROIT -- For the last 30 years, the Detroit Public school kids have been lucky enough to have Cheryl Valentine.
"I like to see the metamorphosis of the students. When they come in knowing a little and leave knowing a lot, that’s why I do it," Valentine says.
 
Currently the choral director at the Detroit School of Arts, Valentine’s pride and joy is Visions, an all male choral group that could give glee a run for it’s money.
 
"The home situations are not always the best and when they come here, this is that sanctuary and then when they start singing you just see it come out," Valentine said. You see it come out. I tell all of them, I am not visiting you in a jail house to see you and I am not going to a funeral, so you are going to have to make it."
 
Mitch Albom: In your view, what is the responsibility of a music teacher?
 
(Ed. note: there is a video for this interview, available at the below referenced site.  We apologize, as we are unable to provide a direct link to this video).
]]>Richard Allen Roehttp://www.choralnet.org/view/307861%pm, %10 %b %2012 %13:%Feb:%th 13FebUTChttp://www.choralnet.org/view/307861 By David Gordon Duke
 
VANCOUVER -- One of the things that animates our choral environment is that Vancouver's many impressive choirs take their community responsibilities seriously.

In outreach and thinking over the long term, the record of the Vancouver Chamber Choir is particularly strong. Leaving aside full seasons of concerts, plus national and international touring, the VCC invests in the future through regular development of choral composers and choral conductors.

The spotlight this week is on developing conductors through the chamber choir's National Conductors Symposium.



 
]]>Allen H Simonhttp://www.choralnet.org/view/307464%pm, %06 %b %2012 %23:%Feb:%th 23FebUTChttp://www.choralnet.org/view/307464 Liz Garnett tries it:

The delay between sound and picture was less of an issue while they were singing (strangely) than when we were talking. This was one of the pleasant surprises. But it made me realise how closely I usually watch people’s eyes while I coach, to track how they’re responding to what I say: do I see comprehension, enlightenment, bafflement, disagreement? Gesture, speed and content of my sentences all gets adjusted in real time. So, what with the delay, the slight graininess of picture quality and the small size of four people on the screen, I was losing a lot of information about how things were going.

Still, she thought it worked pretty well.
]]>Scott Dorseyhttp://www.choralnet.org/view/306890%pm, %01 %b %2012 %22:%Feb:%st 22FebUTChttp://www.choralnet.org/view/306890
In “A Conductor’s Guide to the Preparation of Bach’s St. Matthew Passion,” the work will be discussed AND performed.  This session will identify for the conductor the necessary steps and important considerations in the rehearsal process of Bach’s masterwork. The session will illuminate the conductor’s tasks in initial, separate rehearsals of the chorus, orchestra, and soloists through the conductor’s responsibilities in rehearsals immediately prior to performance. Salient musical issues will be addressed: for the chorus—text, phrasing, and articulation; for the orchestra—Baroque bowing and articulation; and for the soloists—secco and accompanied recitatives and singing with obbligato instruments. The session will isolate sections of diverse textures of the work to show how to unify phrasing and articulation among chorus, orchestra, and soloists.
 
View the complete Conference Profile and Register on-line.
 
]]>Averill Summerhttp://www.choralnet.org/view/307843%am, %10 %b %2012 %03:%Feb:%th 3FebUTChttp://www.choralnet.org/view/307843 Could someone explain the meaning of the poem that Byrd sets in this piece? And, does anyone know the modern equivalent of these words: sith, wot, wood, chill? Thank you very much! ]]>John Howellhttp://www.choralnet.org/view/307841%am, %10 %b %2012 %02:%Feb:%th 2FebUTChttp://www.choralnet.org/view/307841 Colleagues:  I've found translations for all the texts in my upcoming program except one (fairly surprising, since it's a mixture of medieval Latin, French, and macaronic Latin/English!).  But this one, while it probably isn't difficult, I can't find.  And please note that it is a DIFFERENT text from the Josquin setting, which I DID find on CPDL.  This is a 3-voice conductus, probably early 13th century (since that was the "Golden Age" of conductus), and it's a wonderful processional piece.  A reasonable Engish translation (more literary than singing) would be much appreciated.
 
1.  Gaude virgo mater Christi
Que per aurem concepisti
Nec in partum pertulisti
Pudo ris despendium.
 
2.  Quia Deum genuisti
Tu que nostra sic fuisti
Salus plebi conferisti
Tuum patrocinium.
 
And if anyone has any ADDITIONAL verses, I would be most interested in them.
Thanks in advance!
John
]]>Jason Iannuzzihttp://www.choralnet.org/view/307840%am, %10 %b %2012 %02:%Feb:%th 2FebUTChttp://www.choralnet.org/view/307840

Lexington High School Choral Department is proud to be the first high school group to screen this spellbinding film as a fundraiser for our upcoming concert tour of Sweden, Finland and Estonia.  We are also pleased to announce that the makers of the film, James Tusty and Maureen Castle Tusty, will be present for our screening to introduce the film, talk about the journey of making the documentary and to take audience questions and feedback.  Lexington High School choruses will perform Estonian choral selections, and Singing Revolution books, CDs and DVDs will be available for sale.  An exclusive book, movie poster and DVD signed by the award-winning filmmakers will be available for silent auction.  Finally, 50 guests may opt for a special ticket which will include a catered reception with the filmmakers.

The schedule for our Singing Revolution event on Sunday, February 12 is as follows:

3:00 - 5:30pm        Film screening in LHS Auditorium, Q&A session and mini-concert

6:30 - 7:30pm        Reception with filmmakers, James Tusty and Maureen Castle Tusty

Tickets are available now and can be purchased by contacting Elise Rowley at singingrevolutionlhs@gmail.com

$5 students

$12 adults

$30 film screening and reception (limited to 50 participants)

"Imagine the scene in 'Casablanca' in which the French patrons sing 'La Marseillaise' in defiance of the Germans, then multiply its power by a factor of thousands, and you've only begun to imagine the force of 'The Singing Revolution'."

Matt Zoller Seitz, The New York Times

Most people don’t think about singing when they think about revolution. But song was the weapon of choice when Estonians sought to free themselves from decades of Soviet occupation. The Singing Revolution is an inspiring account of one nation’s dramatic rebirth. It is the story of humankind’s irrepressible drive for freedom and self-determination.

The Singing Revolution shares how, between 1987 and 1991, hundreds of thousands of Estonians gathered publicly to sing forbidden patriotic songs and share protest speeches, risking their lives to proclaim their desire for independence. While violence and bloodshed was the unfortunate end result in other occupied nations of the USSR, the revolutionary songs of the Estonians anchored their struggle for freedom, which was ultimately accomplished without the loss of a single life.

"INSPIRING!... GRIPPING!... A STORY OF HOW
FEELINGS BECAME SONGS, SONGS BECAME A
NATIONAL VOICE AND VOICE BECAME ACTION!" Robert Abele, LA Times
 
 
 
]]>Adam Kluckhttp://www.choralnet.org/view/307831%am, %10 %b %2012 %00:%Feb:%th 0FebUTChttp://www.choralnet.org/view/307831 I'm looking for a good closer for my contest group. I've got 21 singers, 9 of which are males, so I'd like something that sticks to 4 parts most of the time. I'd really love to get a good spiritual, but it seems most that are only 4 parts are somewhat trite arrangements, and the great ones split into 8 parts often. Any suggestions? Our other pieces are Hassler's Cantate Domino (for 4 voices), Lvovsky's "Now the Powers of Heaven," and Stroope's "Winter." ]]>D Costanzohttp://www.choralnet.org/view/307824%pm, %09 %b %2012 %23:%Feb:%th 23FebUTChttp://www.choralnet.org/view/307824 Hello All,
 
I was told I have to teach SINGING of You're A Grand Old Flag to 1st grade & Kindergarten students. 
 
Isn't it too hard? The syncopation seems a bit much. The accidentals and the accidentals, plus the wide vocal range all seem -to me- to make it unsuitable for such a young age group. Additionally, such a song doesn't fit into the 'norm' of echo songs, nursery rhymes, etc in 1st grade or K classes. There is a new 'Core Curriculum" being develped to be used around the country and music standards are part of it. 
 
Any thoughts?  
]]>James Watkinhttp://www.choralnet.org/view/307814%pm, %09 %b %2012 %21:%Feb:%th 21FebUTChttp://www.choralnet.org/view/307814Item: Hale and wilder Classic Collection
Composer/Arranger/Edition: Ovid Young 1979
Starting: asap
For: 7-10 days
Copies: 1
Willing to rent: Yes
 
looking for any sheet music duets for tenor and bass such as hymns sung by Hale and Wilder in their many concerts accross America.  Ovid Young was their composer arranger acompanist on their tours.  Will purchase rent or borrow.
]]>philip spencerhttp://www.choralnet.org/view/307763%pm, %09 %b %2012 %16:%Feb:%th 16FebUTChttp://www.choralnet.org/view/307763  
Following its inaugural Festival of American Vocal Music in Mansfeld, Germany last summer,
the Lutheran Youth Choir of North America, formed in 2006,  has several openings remaining for its new 2012 Festival of Global Vocal Music in Chicago, July 29- August 6.  Experienced high-school-age singers from across the US and Canada are invited to apply; they will be joining twenty German students and returning American students from the 2011 Festival who will be coming to Chicago to participate.  Highlights of the eight-day festival include a clinic and gala concert with composer Keith Hampton and the Keith Hampton Singers; the premiere of the 2011 Lutheran Youth Choir International Choral Composition Contest winning anthem; workshops in global percussion, vocal development, and world cultures; and sightseeing and recreation in Chicago and the surrounding area.  Tuition, room and board, and music are $875.  Application deadline is March 31.  Founding Conductor of the Lutheran Youth Choir of North America is Philip Spencer, a member of the ACDA Central Division Executive Board.  For further information and application, go to www.lutheranyouthchoir.org.
 
 
 
http://www.lutheranyouthchoir.org
]]>Julie Fordhttp://www.choralnet.org/view/307816%pm, %09 %b %2012 %21:%Feb:%th 21FebUTChttp://www.choralnet.org/view/307816 I have occasionally created rehearsal recordings for choirs when working on something special, but in general i find it to be time-consuming and perhaps under-utilized.  I know that many directors, however, do this on a regular basis, and so I often wonder if there is a more efficient way to create these recordings.  So please chime in and answer these questions:
 
1.  do you record the voice part using your own or someone else's voice, or do you provide a voice part generated by an instrument or computer?
 
2.  Do you provide each voice part with only their voice part, or their voice part blended with the other voice parts?
 
3.  Do you provide the accompaniment also?
 
4.  Do you find that your recordings are well-utilized by choristers and provide a desirable result?
 
Thanks in advance!  Julie Ford
]]>Marie Foxhttp://www.choralnet.org/view/307806%pm, %09 %b %2012 %19:%Feb:%th 19FebUTChttp://www.choralnet.org/view/307806
African Choral Festival
Accra, Ghana
March 14-19, 2013
By invitation of the Commission on Culture of Ghana, travel to Africa as honored guests. Perform in villages and local churches before vibrant audiences. Experience Ghanaian hospitality first-hand and have the opportunity to meet and perform with choirs and performing arts ensembles from around the world.
Music Contact International: 1-800-624-0166
travel@music-contact.com
http://www.music-contact.com
 
]]>Marie Foxhttp://www.choralnet.org/view/307804%pm, %09 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/307804
Vienna Advent Sing
Vienna, Austria
Thursday, November 28 – Monday, December 2, 2013
Thursday, December 5 – Monday, December 9, 2013
Thursday, December 12 – Monday, December 16, 2013
Thursday, December 19 – Monday, December 23, 2013
By invitation of the Cultural Affairs Dept., Vienna welcomes choirs from around the world to share their voices in the music capital of Europe. Sing at venues such as the magnificent City Hall and breathtaking Melk Abbey. Enjoy the festive pre-holiday atmosphere in this enchanting city!
Music Contact International: 1-800-624-0166
travel@music-contact.com
http://www.music-contact.com
 
]]>Marie Foxhttp://www.choralnet.org/view/307803%pm, %09 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/307803
Vermont Holiday Choral Festival
Burlington, Vermont
December 6–9, 2013
Choirs come together from across North America and Europe to share their voices in the picturesque Green Mountain state. Enjoy the festive holiday atmosphere in this enchanting city!
Music Contact International: 1-800-624-0166
travel@music-contact.com
http://www.music-contact.com
 
]]>Marie Foxhttp://www.choralnet.org/view/307802%pm, %09 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/307802
Choral Celebration of Luther
Leipzig, Germany
November 20-24, 2013
Choirs from around the globe come together to work with Leipzig Bach Choir Director Jürgen Wolf and perform a Massed Sing in St Nicholas Church, the birthplace of Germany’s peaceful revolution in 1989. Explore the music inspired by Martin Luther and visit Wittenberg, where the Reformation began to take its course in 1517.
Music Contact International: 1-800-624-0166
travel@music-contact.com
http://www.music-contact.com
 
]]>Marie Foxhttp://www.choralnet.org/view/307801%pm, %09 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/307801
Cantate Barcelona
Barcelona, Spain
October 18-22, 2013
Choirs from across the globe participate in this annual festival. Share music in Barcelona and towns throughout Spain’s Mediterranean Costa Brava region during an evening of music with a Spanish choir, sing at the stunning museum in Barcelona and at the monastery of Montserrat. Taste the local Paella and enjoy the rhythms the region is famous for at the festive Closing Ceremony!
Music Contact International: 1-800-624-0166
travel@music-contact.com
http://www.music-contact.com
 
]]>Marie Foxhttp://www.choralnet.org/view/307800%pm, %09 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/307800
Belgian Summer Sing
Ghent, Belgium
July 25-29, 2013
The city of Ghent welcomes choirs from Europe and North America to perform in the stunning St. Michael’s Cathedral. Celebrate choral music as part of the “Ghent Arts and Music Festival,” Europe’s largest open-air cultural festival. Visit and perform in the capital city of Brussels and the beautiful and historic city of Bruges.
Music Contact International: 1-800-624-0166
travel@music-contact.com
http://www.music-contact.com
 
]]>Marie Foxhttp://www.choralnet.org/view/307799%pm, %09 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/307799
Cantus Salisburgensis Summer Festival
Salzburg, Austria
July 4-8, 2013
Perform at the spectacular Salzburg Cathedral and beautiful Mirabell Gardens, the backdrop to scenes from the “Sound of Music”. The Massed Sing performance is under the direction of János Czifra, the Salzburg Cathedral’s Music Director. Discover Salzburg’s picturesque Old Town and its towering castle, and share your music with choirs from around the world.
Music Contact International: 1-800-624-0166
travel@music-contact.com
http://www.music-contact.com
 
]]>Marie Foxhttp://www.choralnet.org/view/307797%pm, %09 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/307797
China International Choral Festival
Beijing, China
Bi-annual July 2014
Hosted by the prestigious International Choral Music Federation, this adjudicated festival boasts world class judges, and an eclectic selection of choirs from around the world. Perform in the legendary Great Hall of the People, and the National Center for Performing arts. Visit the Temple of Heaven, tour Tiananmen Square and the Forbidden City and see the Great Wall of China!
Music Contact International: 1-800-624-0166
travel@music-contact.com
http://www.music-contact.com
 
]]>Marie Foxhttp://www.choralnet.org/view/307796%pm, %09 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/307796
Tuscany International Choral Festival
Montecatini Terme, Italy
June 20-24, 2013
By invitation of the City of Montecatini Terme, in the heart of Tuscany, join choirs from around the world to perform in venues throughout the region. Hear the other guest choirs sing at the Tettucio Spa and exchange with Italian choirs during Friendship Concerts in churches and theaters. Explore Florence, Pisa and Lucca during an amazing four days of Choral music in the rolling Tuscan Hills.
Music Contact International: 1-800-624-0166
travel@music-contact.com
http://www.music-contact.com
 
]]>Marie Foxhttp://www.choralnet.org/view/307795%pm, %09 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/307795
Cantate Adriatica
Republic of San Marino
May 30 – June 3, 2013
Europe’s oldest republic, San Marino, welcomes choirs from around the world. Perform in the beautiful churches and classic theaters of the region. Enjoy stunning vistas surrounding the Adriatic Coast. The strong cultural traditions and heartwarming citizens will provide a lifetime of memories.
Music Contact International: 1-800-624-0166
travel@music-contact.com
http://www.music-contact.com
 
]]>Marie Foxhttp://www.choralnet.org/view/307794%pm, %09 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/307794
Charleston International Festival of Choirs
Charleston, South Carolina, USA
April 11-14, 2013
Over the course of three days, choirs will perform individual concerts in stunning venues while enjoying a one-on-one workshop and group rehearsals with Dr. Rollo Dilworth in preparations for a grand Massed Sing performance. Discover incredible sights, warm hospitality, and a deep local appreciation for choral tradition in charming South Carolina.
Music Contact International: 1-800-624-0166
travel@music-contact.com
http://www.music-contact.com
 
]]>Marie Foxhttp://www.choralnet.org/view/307792%pm, %09 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/307792
Days of International Choir Music in Verona
Verona, Italy
April 3-7, 2013
Sponsored by the Association of Choirs of Northern Italy, this festival offers an adjudicated performance for an international panel of choral experts. Enjoy a friendly competition and the opportunity to receive informed feedback by the knowledgeable judges. Exchange with a local Italian choir, sing at a school or senior center, and meet choirs from around the world.
Music Contact International: 1-800-624-0166
travel@music-contact.com
http://www.music-contact.com
 
]]>Marie Foxhttp://www.choralnet.org/view/307791%pm, %09 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/307791
Young Prague Festival
Prague, Czech Republic
March 20-24, 2013
This culturally diverse festival and competition for youth choirs, bands and orchestras is in its tenth year. Over one thousand participants travel to Prague from around the world for this festival to perform in venues such as St. Nicholas’ Church and the National House. Enjoy a culturally rich and educational experience while you meet and perform with youth ensembles from across the globe.
Music Contact International: 1-800-624-0166
travel@music-contact.com
http://www.music-contact.com
 
]]>Marie Foxhttp://www.choralnet.org/view/307790%pm, %09 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/307790
Discover Puerto Rico and its Choral Music!
Ponce, Puerto Rico
March 15-18, 2013
The University of Puerto Rico, The Catholic University of Ponce, and the City of Ponce invite choirs to discover Puerto Rico! Work with the island’s most famous composers and directors. Exchange with choirs from the region. This is a unique opportunity to experience the time-honored choral traditions of Puerto Rico and to share your music with the people of Ponce.
Music Contact International: 1-800-624-0166
travel@music-contact.com
http://www.music-contact.com
 
]]>Marie Foxhttp://www.choralnet.org/view/307788%pm, %09 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/307788
Cantus Salisburgensis Spring Festival
Salzburg, Austria
March 14-18, 2013
Perform at the spectacular Salzburg Cathedral and beautiful Mirabell Gardens, the backdrop to scenes from the “Sound of Music”. The Massed Sing performance is under the direction of János Czifra, the Salzburg Cathedral’s Music Director. Discover Salzburg’s picturesque Old Town and its towering castle, and share your music with choirs from around the world.
Music Contact International: 1-800-624-0166
travel@music-contact.com
http://www.music-contact.com
 
]]>Marie Foxhttp://www.choralnet.org/view/307786%pm, %09 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/307786
Festival of Peace and Brotherhood
Rome, Italy
March March 7-11, 2013
Perform in breathtaking venues in the quaint towns surrounding Rome, Italy. Sing together with local choirs and others from around the world in breathtaking venues throughout the cities and towns southeast of Rome. The festival facilitates a deep sense of respect and understanding between cultures through the common language of music.
Music Contact International: 1-800-624-0166
travel@music-contact.com
http://www.music-contact.com
 
]]>Marie Foxhttp://www.choralnet.org/view/307785%pm, %09 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/307785
Happy Birthday Händel International Choral Festival
Halle, Germany
February 21-25, 2013
By invitation of the City of Halle, celebrate the birthday of one of Germany’s most famous sons, George Frideric Händel. Perform as part of a 450 voice choir during the Massed Sing under the esteemed director Proinnsías Ó Duinn. Additionally, sing individual concerts and enjoy the rich musical history of the city of Halle and nearby Leipzig.
Music Contact International: 1-800-624-0166
travel@music-contact.com
http://www.music-contact.com
 
]]>Daniel Farrishttp://www.choralnet.org/view/307776%pm, %09 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/307776 The Southwestern Women's Chorus, Men's Chorus, Chamber Choir, and Southwestern Singers will perform their first spring concert on Thursday, 23 February 2012 in the Fine Arts Lobby.   
 
Admission is free, and the concert starts at 7 PM.
 
Program below:
 
Women’s Chorus:
Joyce Adams Curtis, conductor
Angela Farris, pianist
 
Te Quiero, Alberto Favero (Argentinian composer)
Child Moon, Bruce Young  (world premiere—Oklahoma City composer)
Ah! Si mon moine voulait danser, arr. Donald Patriquin (Canadian composer)
 
Men's Chorus:
Daniel Farris, conductor
Joshua Smith, graduate assistant
 
Do you not know?  by Thomas Morley
When Arthur first in court began to wear long hanging sleaves by John Callcott
God be in my head by Jackson Berkey
 
Chamber Choir:
Joyce Adams Curtis, conductor
Joshua Smith, graduate assistant
 
Mercè grido piangendo,  Carlo Gesualdo
A Red, Red Rose, Bruce Young
A Nightingale Sang in Berkeley Square, arr. Gene Puerling
O whistle and I’ll come to ye, arr. Mack Wilberg
Dream with the angels, arr. Weir
 
Southwestern Singers:
Daniel Farris, conductor
Joshua Smith, graduate assistant
 
"Time" and "Concord" from Gloriana by Benjamin Britten
Oh Danny boy by Joseph Flummerfelt
As though my love abounding by John Wilbye
Sweet honey sucking bees by John Wilbye
 
]]>John Cornishhttp://www.choralnet.org/view/307765%pm, %09 %b %2012 %17:%Feb:%th 17FebUTChttp://www.choralnet.org/view/307765
Oak View Baptist Church in Irving, TX is in the process of searching for an organist. Please direct all inquiries and applications to John Cornish via email at john@ovbc.net.

The job description is as follows:
 
Principal Function
To assist the minister of worship through accompanying worship services, choir rehearsals, and other events as needed. The organist is expected to play a valuable role in creating an atmosphere of worship and as such should be a committed follower of Christ, as well as a consistent lifestyle worshiper.
 
Job Classification
The Church Organist is a part-time salaried support staff position. Current salary is approximately $8000 per year.
 
Working Relationships
The Church Organist will build and maintain working relationships with the choir and other key instrumentalists, including the pianist, guitarist, and other rhythm participants.
 
Supervision
The Church Organist reports directly to the Minister of Worship & Communications.
                               
Job/Performance Expectations
1. To accompany all weekly services, which consist of two Sunday AM services and one semi-regular Sunday PM service.
2. To prepare the Sunday music with the instrumentalists under the direction of the Minister of Worship & Communications (currently rehearsing at 8:30 Sunday mornings)
3. Accompany the adult choir rehearsals (7:00 p.m. on Wednesdays).
4. To accompany other programs and special events as assigned by the Minister of Worship & Communications.
Expectations of Personal Characteristics of the Church Organist
1. Have an understanding of and the ability to play in both traditional and contemporary worship styles.
2. Have strong sight-reading skills, or the ability to quickly learn new music.
3. Be able to play both traditional notation and lead sheets/chord charts.
4. Be able to improvise accompaniments from the hymnal.
5. Be able to do simple transpositions on sight.
6. Be able to follow the visual direction of a choral conductor.
 
]]>Bruce Rockwellhttp://www.choralnet.org/view/307722%am, %09 %b %2012 %06:%Feb:%th 6FebUTChttp://www.choralnet.org/view/307722 I am wondering if any of you incorporate any part of The Achievement Program (published by Carnegie Hall Royal Conservatory) into your choir programs.  Here is the information: http://theachievementprogram.org/
 
I'm also wondering how this might compare to the Voice for Life curriculum published by the Royal School of Church Music.
]]>Diane Marellihttp://www.choralnet.org/view/307751%pm, %09 %b %2012 %15:%Feb:%th 15FebUTChttp://www.choralnet.org/view/307751 Does anyone have anny SATB arrangements of music from Video Games?  I know about "Baba Yetu"....
Thank you!
]]>Gerald Grayhttp://www.choralnet.org/view/307738%pm, %09 %b %2012 %13:%Feb:%th 13FebUTChttp://www.choralnet.org/view/307738 Could those of you that teach or have recently completed study in masters level choral conducting please share syllabi or texts that you use.  I am developing a syllabus to teach both a one semester and a two semester graduate conducting course.  I want to the best materials available to guide me in writing my own text.  Thank you.
 
Gerald Gray
Dir. of Choral Activ.
State University of New York at Fredonia
]]>Randi Rexrothhttp://www.choralnet.org/view/307746%pm, %09 %b %2012 %14:%Feb:%th 14FebUTChttp://www.choralnet.org/view/307746
The Twin Cities Women’s Choir, a non-auditioned diverse women’s choir that sings, performs, and affirms the voices of women, is seeking an Artistic Director for its community non-auditioned 150 member choir and possibly its auditioned chamber ensemble, ENCORE!
Primary responsibilities of the Artistic Director include:
1)    Implement TCWC’s mission and vision. Work closely with the Executive Director and Board of Directors to support and promote the mission and vision.
2)    Plan, design, organize, and present three major concerts annually as well as community concerts Work with the TCWC music committee to ensure the repertoire supports TCWC’s mission and vision.
3)    Serve as the Artistic Director for ENCORE!
4)    Acquire all music, rights, permissions, arrangements and approvals for any repertoire selected, working closely with the Music Librarian and within budgeted amounts.
5)    Recruit, select, hire, supervise and evaluate accompanists and section leaders.
6)    Formulate, implement and monitor annual and long range plans, goals, and objectives for Choir.
 
A full description of the responsibilities, required qualifications, and preferred qualifications can be found in the job posting entry on our web site at www.twincitieswomenschoir.org
 
This is a part-time position. Salary is dependent on qualifications.
Please email a letter of introduction, résumé, sample of previous concerts programming, proposed music for TCWC Illuminations Concert (45 – 60 minutes) and cover letter by February 27, 2012 to:
 
Twin Cities Women’s Choir
Attn: Pat Teiken
patteiken@comcast.net
www.twincitieswomenschoir.org
 
The Twin Cities Women's Choir combines the world's passion for music with a passion for transforming lives and building stronger communities.
 
]]>Scott Dorseyhttp://www.choralnet.org/view/307750%pm, %09 %b %2012 %15:%Feb:%th 15FebUTChttp://www.choralnet.org/view/307750 The American Choral Directors Association is seeking nominations for the 2011 Julius Herford Dissertation Prize.  Each year the Julius Herford Prize Subcommittee of the Research and Publications Committee accepts nominations for the outstanding doctoral terminal research project in choral music.   Projects are eligible if they comprise the principal research component of the degree requirements, whether the institution defines the project as a “dissertation,” “document,” “thesis,” or “treatise,” etc.  Read the Complete Herford Nomination Guidelines. Nominations must be received at the ACDA National Office by May 1, 2012. ]]>Scott Dorseyhttp://www.choralnet.org/view/305523%am, %19 %b %2012 %04:%Jan:%th 4JanUTChttp://www.choralnet.org/view/305523 The ACDA Eastern Division Conference will include the session: Choral Directors are from Mars and Voice Teachers are From Venus.  The Choral Journal describes the event in this way:  "How can middle and high school and college choral conductors interact with independent and academic voice teachers in their area to develop a successful team? Is the voice teacher/choral conductor confl ict in higher education fantasy or fact? Exploring answers to these questions, we will delve into commonly used mis-instructions and their implications."
 
Read the entire Conference Preview or REGISTER on-line.
]]>Richard Allen Roehttp://www.choralnet.org/view/307736%pm, %09 %b %2012 %13:%Feb:%th 13FebUTChttp://www.choralnet.org/view/307736 By Lawrence Poole
 
WENDOVER, BUCKINGHAMSHIRE, UK -- A MUSICAL director from Great Missenden has organised a series of concerts to highlight the threat that construction work for HS2 poses to historic buildings and churches.  
 
Peter Bassano, 66, of Potter Row, said: "One of my jobs is as musical director of the Wendover Choral Society and many of the concerts we perform are in St.
Mary's Church, Wendover, which is a few hundred yards from the proposed route. If it goes ahead the noise will be tremendous and we will no longer be able to perform concerts. You need moments of silence to perform serious works."
 

 
]]>Richard Allen Roehttp://www.choralnet.org/view/307734%pm, %09 %b %2012 %13:%Feb:%th 13FebUTChttp://www.choralnet.org/view/307734 By Jim Welte
 
MILL VALLEY, CA -- When Jessica Nicholson began creating a choral music program in the Mill Valley School District in 2000, she had two related but distinct challenges.  The first was a simple question with a not-so-simple answer: What’s choral music?

 



“It’s a vocal ensemble, a team activity where you learn a variety of repertoire of different musical styles, where you get musical instruction as part of a group and then you get a chance to perform outside of school,” Nicholson explains, summarizing her “elevator pitch.” She’s given that pitch countless times over the years as she’s built the district’s choral music program from scratch into a juggernaut that includes some 450 students.

]]>Richard Allen Roehttp://www.choralnet.org/view/307733%pm, %09 %b %2012 %13:%Feb:%th 13FebUTChttp://www.choralnet.org/view/307733 By Alex Browne
 
WHITE ROCK, BC -- The Peninsula-based Pacific Showtime Men’s Chorus has started a new year with a new musical director – none other than Mr. O Canada himself, Mark Donnelly.


The famed anthem singer, opera singer, voice teacher and leader of classical vocal ensembles replaces the group’s well-respected former director, Gareth Evans, who retired at the end of last year.

“We’re very pleased that Mark agreed to join us,” said chorus president Leigh Anderson. “Mark has been out to two rehearsals so far – bringing two of his sons, who are great singers themselves – and he’s already introduced a new song to us.”

]]>Allen H Simonhttp://www.choralnet.org/view/307669%pm, %08 %b %2012 %16:%Feb:%th 16FebUTChttp://www.choralnet.org/view/307669 We designed ChoralNet Communities flexibly in order to permit ChoralNet users to create their own ways of communicating. The community Composers of Choral Music has been very active, perhaps because there isn't any other established forum for such composers to get together.
 
Their latest project is a Composition Showcase. When you go into a music store and rifle through stacks of octavos, you get to look at a lot of pieces in one place. But looking at composer websites is a much more tedious business, because they're all different. The Showcase is intended to be an opportunity to look at a lot of pieces in one place. All the pieces have sample pages in PDF format.
 
You'll still have to go to each composer's page individually (or send them an email or something) if you want to buy their pieces, so it doesn't have the one-stop-shopping convenience of a music store (yet), but it's a good first step. 
 
I make it a point to include a lot of 21st-century music in my programs, and I hope you will too. Drop by and take a look at the showcase and see if there's anything you might be interested in. But they're only just getting started — there's only about 50 pieces there at the moment — so plan to come back in a month or two and take a second look.
]]>Carole Nelsonhttp://www.choralnet.org/view/307699%pm, %08 %b %2012 %20:%Feb:%th 20FebUTChttp://www.choralnet.org/view/307699Carole
]]>Ashleigh Snowhttp://www.choralnet.org/view/307694%pm, %08 %b %2012 %20:%Feb:%th 20FebUTChttp://www.choralnet.org/view/307694  
I am a music education student and am thinking a lot about the use of technology in the choral classroom. Many of the technologies that I have seen used in music classrooms are either focused more towards elementary students or are based in a "music lab" setting and involve music composition. I am wondering what kind of technology high school choral directors are using in a more traditional choral setting.
 
I would appreciate some feedback about what you are doing with technology in your choral classrooms at the high school level.
Thanks!
 
 
 
]]>Lura Groenhttp://www.choralnet.org/view/307707%pm, %08 %b %2012 %22:%Feb:%th 22FebUTChttp://www.choralnet.org/view/307707
Grace Lutheran Church, a small growing church inside the loop in Houston is looking for a person of Christian faith to fill the position of part time Music Director (organist, pianist, choir director).  Needs to be flexible and comfortable with multiple music styles in a liturgical setting.  Able to lead a small choir and nurture them in faith and music.  Regular services include a Sunday service and a midweek Vespers service.  This position is 10 hrs/week including planning and personal preparation time. Send resume and cover letter to gracepersonnel@gmail.com.  Check us out at www.gracelutheran-houston.org
 
Grace Lutheran does not discriminate based on gender, race, class, sexual orientation, gender expression, disability, age or nationality
 
]]>Catherine Frenchhttp://www.choralnet.org/view/307697%pm, %08 %b %2012 %20:%Feb:%th 20FebUTChttp://www.choralnet.org/view/307697
Soli Deo Gloria welcomes applications and nominations for the position of President and CEO, available in early 2012.
 
The Organization
www.sdgmusic.org
 
Soli Deo Gloria (SDG) is the not-for-profit organization dedicated to enhancing, promoting, and preserving the classical sacred music repertoire.   Its name, meaning “to God alone be the glory,” is taken from the inscription penned by Johann Sebastian Bach on many of his works more than 250 years ago.  The organization is based in Chicago and the reach of its programs is both national and international.  John Nelson is a Founder and the Artistic Director of Soli Deo Gloria; Peter Bannister is Associate Artistic Director.
 
Since its founding in 1993, Soli Deo Gloria has sought to facilitate the creation of sacred classical music by commissioning new works from the leading composers of our time; by sponsoring concerts of sacred music throughout the world; and by supporting recordings of sacred music.   Sacred works have been commissioned from internationally acclaimed composers such as Christopher Rouse, Augusta Read Thomas, and James MacMillan.   New and traditional works have been performed under the aegis of SDG by such ensembles as the Chamber Orchestra of Europe, the Milwaukee Symphony, the Los Angeles Master Chorale, and the American Boychoir.
 
Soli Deo Gloria attracted international attention in 1994 with the North American premiere performance and recording of Miserere by the Polish composer, Henryk Górecki.  John Nelson conducted the combined choruses of Lyric Opera of Chicago and the Chicago Symphony in concert and the recording on Electra/Nonesuch reached Billboard’s top 10 classical chart.   SDG made the first-ever recording of Berlioz’ Te Deum.   Subsequent releases include DVDs of  Bach’s Mass in B Minor, Beethoven’s Missa Solemnis, and Haydn’s Creation.
 
SDG’s Project Uplift is an international program of concert sponsorship focused on regions of the world where sacred music is rarely heard.   The program began in 1996 with two performances of Brahms’ Ein deutsches Requiem translated into Chinese by composer Bright Sheng, sponsored by General Motors Corporation, and performed for the first time in China by the Shanghai Symphony Orchestra and Philharmonic Chorus at the Shanghai Center Theater.  In 1997, SDG collaborated with Music Mission Kiev in presenting Mendelssohn’s 2nd Symphony  (“Hymn of Praise”) and 5th Symphony (“Reformation”) to audiences in Kiev, Ukraine.  
 
Launched in 2011, the Chicago Bach Project will produce performances of the St. Matthew Passion, the St. John Passion, and the B Minor Mass in the city of Chicago over a period of three years.  The Psalms Project is a major commissioning program currently underway for settings of 15 Biblical Psalms. 
 
Soli Deo Gloria is governed by a 15-member Board of Directors.  The organization has an administrative staff of four and an annual budget of about $750,000.  The offices are located in the western Chicago suburb of Glen Ellyn, Illinois.
 
The Position
 
The President and CEO is responsible and accountable for the overall successful operation, performance, and future growth of Soli Deo Gloria. Working with the Artistic Director, the Associate Artistic Director, and the Board of Directors, the President and CEO provides leadership to ensure that SDG fulfills its mission and achieves its artistic, financial, and organizational goals.   S/he reports to the Executive Committee of the Board of Directors.
 
The President and CEO provides leadership and direction to all aspects of the organization’s operations, including planning; artistic administration; budgeting and financial management; fundraising; marketing and promotion; communications; project management; and human resource management. 
 
The President and CEO provides leadership to the development and fundraising work of the organization.  S/he actively identifies, cultivates, and solicits both individual and institutional donors.  S/he provides impetus and direction to the fundraising efforts of the Board.  As the spokesperson and visible representative of SDG to the Chicago community and the wider world, s/he works to expand the organization’s visibility, reach, and philanthropic support.
 
The President and CEO provides guidance and support to the Board and its committees.  S/he ensures that the Board has the information it needs for decision-making.  S/he collaborates with the Artistic Director, the Composer-in-Association and the artistic committees, providing focus for the development and implementation of the organization's artistic programs and objectives. S/he oversees all contracts and working agreements with artists, presenters, electronic media, venues, and vendors.  S/he manages a professional staff of three, including the Office and Finance Manager, Communications Manager, and Project Manager.
 
Candidate Profile
 
The ideal candidate will combine a passion for classical sacred music, both old and new, with a minimum of five years’ successful experience leading and managing a not-for-profit arts organization.  S/he will have proven skills in planning, financial management, human resource management, advocacy, and fundraising.   S/he will have a good working knowledge of classical sacred music repertoire and performance practice, and an understanding of theological concepts and the biblical tradition as they apply to sacred music.  Experience with commissioning and electronic media will be considered an asset.
 
The successful candidate will embrace the mission and vision of Soli Deo Gloria with personal enthusiasm.  S/he will be able to articulate that vision effectively in both written and oral presentations.   S/he will be an energetic fundraiser with the proven ability to identify, cultivate, and solicit both individual and institutional donors, and to provide guidance and support to the fundraising efforts of board members and volunteers.
 
The successful candidate will have excellent interpersonal skills.  S/he will be comfortable working with diverse constituencies, partners, and stakeholders, including faith-based communities.  S/he will demonstrate an inclusive leadership style that encourages creativity, autonomy, and excellence.  S/he will foster a work environment that is conducive to collaboration and allows both artists and administrative staff to do their best work.  The successful candidate will be a person of high integrity and ethical standards. 
 
Compensation
 
Compensation is competitive and commensurate with experience and qualifications.
 
Applications
 
Please send a letter of application that describes your specific interest in Soli Deo Gloria and discusses your qualifications for the position.  Include a résumé, contact information for at least three references, and salary history or requirements.  All applications will be confidential and references will not be contacted without the candidate’s consent.  Please send materials to:
 
Soli Deo Gloria President and CEO Search
c/o Catherine French Group
2500 Q Street NW, Suite 623
Washington, DC  20007
cfrenchgroup@aol.com
(MS Word or Adobe attachments only, please)
 
]]>Carol Kozak Wardhttp://www.choralnet.org/view/307703%pm, %08 %b %2012 %21:%Feb:%th 21FebUTChttp://www.choralnet.org/view/307703    The Colorado Hebrew Chorale presents "A Fine Romance: Jewish Songwriters, American Songs" on Sunday afternoon, February 26, 2012, 2 p.m., at St.Thomas Episcopal Church, 2201 Dexter Street, Denver. This performance features classics from the great American songbook, as well as from Broadway, Hollywood, and the Yiddish Theatre. The concert is planned in conjunction with the traveling exhibit from the American Library Association, "A Fine Romance: Jewish Songwriters, American Songs, 1900-1960," which will be on display at the Health Sciences Center library at the Anschutz campus of the University of Colorado in Aurora, Colorado, March 7-April 20, 2012. There is a freewill offering. "A Fine Romance" will be repeated by the Colorado Hebrew Chorale on Monday afternoon, March 19, 2012, 4 p.m., in Research Building 2 on the Anschutz campus in Aurora. Information:(303)355-0232 or visit www.coloradohebrewchorale.org.   ]]>Daniel W. Ozmenthttp://www.choralnet.org/view/307684%pm, %08 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/307684 Washington National Cathedral
Cathedral Choral Society presents a Mozart Requiem Sing Along
 
2/12/12 at 7:30pm
 
Join J. Reilly Lewis and soloists from the Washington National Opera Domingo-Cafritz Young Artists in a sing-along of the Mozart Requiem.

How much: $10 (includes score rental)

Advance tickets are available at www.cathedralchoralsociety.org with a $1 handling fee added.

Join us for Cathedral Sings! Everyone is welcome… experience an incredibly moving piece of music in a glorious space… interact with music director J. Reilly Lewis.
]]>Kevin Stockshttp://www.choralnet.org/view/307683%pm, %08 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/307683 The Centennial Tour by the St. Olaf Choir and conductor Anton Armstrong has been well received throughout the mid-West and mid-Atlantic.  There are still a few concerts left on the tour and we invite you to join us in Chicago at 4th Presbyterian Church on February 10th, in Milwaukee at the Marcus Center on February 11th and for our home concert in Minneapolis at Orchestra Hall on February 12th! 
 
Here are a few impressions from people who have attended the concerts along the way!
 
"...one cannot imagine anyone leaving the concert with anything but the utmost admiration for the talents of this outstanding ensemble."
-CVNC.org An Online Arts Journal in North Carolina (read entire review)
 
"Thank you for the introduction to the St. Olaf Choir … a truly remarkable experience!  ... these young people were in full command of the musical material, offered a cohesive sound, and conveyed positive energy throughout the performance.  Last night was an amazing musical journey – filled with tradition and the new.  In my view, this was a perfect way for St. Olaf to observe a special tour during its Centennial Celebration."
-Wayne Brown, Director of Music and Opera, National Endowment for the Arts 
 
Watch a video preview that includes interviews with conductor Anton Armstrong and members of the Centennial choir.
 
Follow the tour Blog and become a fan on Facebook and Twitter!
]]>Sarah O'Banionhttp://www.choralnet.org/view/307672%pm, %08 %b %2012 %17:%Feb:%th 17FebUTChttp://www.choralnet.org/view/307672 Hello colleagues -
 
I am in need of help translating the following text so I can print it in a program for a concert tomorrow night!  All of my other resources have fallen through.  I know the main meaning of the text, but I'm wondering if there is a native speaker who could help me make it sound more poetic, instead of just translating each word seperately.  Thanks so much!
 
Estrella brillante
lux del peregrino
Estrella illumina
Hoy este camino
]]>Kaleb Abbotthttp://www.choralnet.org/view/307668%pm, %08 %b %2012 %16:%Feb:%th 16FebUTChttp://www.choralnet.org/view/307668 I am with Indiana State University, and we are getting rid of some choir dresses we never used.  They were purchased, and girls never picked them up.
 
Southeastern Performance Apparel - D223 - Lieder Dress - Black - $50 (reg. $59) - Size 8 and Size 10 or 12 (not sure)
 
Stage Accents - 8751 - Monarch - Black - $50 (reg. $62) - Size 10
 
Please let me know if you are interested in these!  If you have any questions, please feel free to ask.
]]>Ben Spaldinghttp://www.choralnet.org/view/307681%pm, %08 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/307681 Mass in B minor (Messe in h-Moll)
 Period Performance
 J.S. Bach
Spire Chamber Ensemble
REBEL Baroque Orchestra
Soloists from the Choir

Sunday, May 20 - 7pm
Trinity Lutheran Church
Corner of Shawnee Mission Parkway and Nall

$20 tickets in advance
Please call 913-432-5441 or visit www.tlcms.org and click "Online Giving" then Mass in B minor Tickets.

The Spire Chamber Ensemble brings the ancient words of the Mass to life, capturing with unmatched depth and clarity, humanity's relationship to the divine. Unlike most of his compositions, Bach's Mass in B Minor was written for purely personal reasons. It is not only one of the greatest works of history, but a truly modern work, with much to teach us about how to live in our own time.

We will be joined by the REBEL Baroque Orchestra hailed as “Sophisticated and Beguiling”  - The New York Times.

As one of the most extraordinary and exceptionally gifted early music ensembles in the country, REBEL players will travel from all over the country to Kansas City for this extraordinary event. ]]>Ben Spaldinghttp://www.choralnet.org/view/307680%pm, %08 %b %2012 %18:%Feb:%th 18FebUTChttp://www.choralnet.org/view/307680 Modern Masterpieces
Spire Chamber Ensemble

Jan Kraybill, organ and piano
Ben A. Spalding, founder/conductor
Sunday, March 11, 2012 – 3pm

$10 tickets at the door

Community of Christ Peace Temple
201 S. River Blvd. 
Independence, MO

Join the voices of the Spire Chamber Ensemble for a fascinating concert featuring some of the most cutting edge choral composers writing today including Jonathan Dove, Tarik O'Regan, Morten Lauridsen, Ola Gjeilo, Nico Muhly, and Gabriel Jackson.

This glorious music will be enhanced by the Peace Temple's phenomenal acoustics and the collaboration of Dr. Jan Kraybill on organ and piano. ]]>Ryan Saundershttp://www.choralnet.org/view/307675%pm, %08 %b %2012 %17:%Feb:%th 17FebUTChttp://www.choralnet.org/view/307675 The Chorus of Westerly's 2012
Summer Choral Workshops at Ogontz (NH)

Session 1 with Conductor David Hill
(Director of the London Bach Choir, BBC Singers, Leeds Philharmonic)
Ogontz Camp and Retreat Center, Lyman, NH
August 5-11, 2012
Voice faculty: Paula Rockwell, Acadia University
Works to be studied include: Victoria – Requiem of 1605; Parry – Songs of Farewell

Session 2 with Conductor Richard Marlow
(Former Director of Music, Trinity College, Cambridge, UK)
Ogontz Camp and Retreat Center, Lyman, NH
August 18-24, 2012
Voice faculty: Freda Herseth, University of Michigan
Works to be studied include: White – 5-part Lamentations; JSBach – Komm, Jesus, komm; Wolf – Sechs geistliche Lieder; Vaughan Williams – Three Shakespeare Songs

Register now and get more information at:
http://www.chorusofwesterly.org/site/PageServer?pagename=education_symposia

Now in its 23rd season, the Chorus of Westerly's Summer Choral Workshops at Ogontz offer extraordinary opportunities for singers, church musicians, and choral conductors to work on repertoire and choral interpretation with some of the world's leading choral directors.  The program includes two sessions that each feature an acclaimed choral conductor and a specialized voice faculty member.  Participants can choose to attend one or both sessions.  Registration is open to anyone and no auditions are required (registration and tuition payment is required). Past workshop participants have come from across North America and have included singers and musicians of all backgrounds.  At our home base of Ogontz Camp and Retreat Center (http://campogontz.com), these participants (with the featured guest artists), learn together, rehearse, relax, and sing for one or two glorious weeks in an intimate and unspoiled retreat in the White Mountains of New Hampshire.

This coming August, the Chorus of Westerly will offer two sessions at Ogontz.  Session 1, Sunday, August 5 to Saturday, August 11 will be led by David Hill (director of the Bach Choir, London, BBC Singers, and other posts).  Session 2, Saturday, August 18 to Friday, August 24, will be led by Richard Marlow (former director of music at Trinity College, Cambridge, UK). Each session also includes opportunities to work with a specialized voice faculty member and members of the Chorus of Westerly staff.

Individuals may choose to attend one or two weeks as a RESIDENT participant (staying at Ogontz - tuition, meals, special events, lodging included) or as a NON-RESIDENT participant (not staying overnight at Ogontz - tuition, meals, special events included).  "Camp Followers" (or RESIDENT NON-PARTICIPANTS - family members who want to stay at camp but not participate in the sessions) can also attend.

Register now and get more information at:
http://www.chorusofwesterly.org/site/PageServer?pagename=education_symposia
  ]]>Audrey Riddlehttp://www.choralnet.org/view/307661%pm, %08 %b %2012 %14:%Feb:%th 14FebUTChttp://www.choralnet.org/view/307661
Founded in 1980, The Angelica Cantanti Youth Choirs is a Bloomington, Minnesota based children’s choral program comprised of approximately nearly 200 singers in grades 2–12.  The organization is searching for a dynamic and inspiring choir director to lead our Con Brio Choir, which includes singers in grades 2 – 4.  The ideal candidate will uphold the organization’s artistic integrity; demonstrate mastery of diverse musical styles and repertoire for young voices while instilling a love for music and a desire for artistic excellence. For more information on this position, please visit:  www.angelicacantanti.org

Deadline for applications is March 15, 2012
For questions please contact:
Audrey Riddle
Executive Director
Angelica Cantanti Youth Choirs
acycdirectorsearch@gmail.com
 
]]>david katzhttp://www.choralnet.org/view/307658%pm, %08 %b %2012 %14:%Feb:%th 14FebUTChttp://www.choralnet.org/view/307658
 
The American Prize, a series of new, national non-profit competitions in the performing arts, provides reward, expert evaluation and recognition to the finest conductors and ensembles in America at the professional, college/university, community and high school levels.

Postmark deadline in all categories is Tuesday, March 15, 2012.

Complete information, including lists of judges, profiles of recent winners, application forms and more on the website: www.theamericanprize.org
 
There is no live competition. The American Prize is judged by a distinguished panel of noted professionals solely through recorded performances. Cash awards range up to $500, depending on the year, the category and the number of applicants.

Semi-finalists received certificates, are announced to national media and to media contacts contestants provide.

Finalists also receive written evaluations from members of The American Prize judging panel.

Winners also receive cash awards, are featured on The American Prize website, where links will lead to excerpts of winning performances on our YouTube channel, soon to be active.

Since 2010, ensembles and conductors have shared nearly $5000 in cash awards as winners of The American Prize and have been featured not only on our website, but in newspapers, magazines, brochures and blogs. Ensembles and their conductors have been honored by local communities and foundations for their award-winning performances; at least one previous winner of The American Prize selected other TAP winners to feature as performers on the summer festival he leads as music director.
 
I would be happy to answer any questions. Please email theamericanprize@gmail.com

All good wishes,

David Katz, chief judge
The American Prize
www.theamericanprize.org
www.theamericanprize.blogspot.com
theamericanprize@gmail.com
 
]]>Abbie Betinishttp://www.choralnet.org/view/307653%pm, %08 %b %2012 %13:%Feb:%th 13FebUTChttp://www.choralnet.org/view/307653

Don't miss the Independent Music Publishers Cooperative exhibit at North Central ACDA this week!

Dates: Wed Feb 8 (9pm) - Sat Feb 11 (10:30am)
Location: lobby of Overture Center for the Arts, Madison, Wisconsin

Find fantastic music from our eight composer-publishers:

Elizabeth Alexander (Seafarer Press)
Abbie Betinis           (Abbie Betinis Music Co.)
Jocelyn Hagen         (JH Music)
Linda Tutas Haugen (Ephraim Bay Publishing)
Edie Hill                   (Hummingbird Press)
J. David Moore         (Fresh Ayre Music)
Joan Szymko            (Viriditas Press)
Timothy C. Takach   (timothyctakach.com)

* Browse over 250 titles that you won't find anywhere else at the convention!
* In a hurry? Simply pick up a prepared packet of our new issues organized by voicing.
* Enjoy our iPod listening stations as you follow along in the score.
* Purchase scores and CDs by check, cash or credit card.
* Stay and chat with our composers.

PLUS: We're teaming up again with Graphite Publishing (music of Ola Gjeilo, Paul Ayres, Matthew Culloton, and more) to share a luxurious 3-booth exhibit and one register. Find everything you need for your upcoming programming in ONE place: Independent Music Publishers Cooperative (next to Graphite Publishing).

But you don't have to take our word for it:

Video: Emily Ellsworth "I think it's fantastic!"

Video: Jerry McCoy "I really like this idea"

Video:  John Muehleisen "A cooperative is the answer - it's really great"

Video: Reg Unterseher "I think this is where the future of publishing is going to be"

Video: Michael Culloton "I'm so proud of the work they're doing..."

 

We look forward to meeting you in Madison!

Sincerely,

Abbie Betinis (on behalf of all of us at imp.coop)

 

===

Independent Music Publishers Cooperative

a resource for remarkable music

www.imp.coop

 
]]>Scott Dorseyhttp://www.choralnet.org/view/305511%am, %19 %b %2012 %02:%Jan:%th 2JanUTChttp://www.choralnet.org/view/305511
Attending an ACDA Conference is a little like trying to drink from a fire-hose.  There’s a whole lot coming at you in a big ol' hurry.  The trick is to quench your thirst without getting soaked.
 
In her Choral Journal article, “Conferences 101: How to Listen, Absorb, and Process the Conference Experience,” Susan Davenport discusses how to make the most of the musical feast placed before us.
 
"One of the greatest benefits in attending conferences is hearing new literature. Yet, listeners must hear in a specific way if they are to learn the most from what they are hearing. Choral methods professors have proposed many useful lists of criteria for selecting literature for choirs,  and those same criteria are equally valuable when listening at a conference. Since, over the course of the two or three days, one will hear many pieces of music, listening must be systematic. In ‘Choral Music: Methods and Materials’ Barbara Brinson identifies certain factors to consider in literature selection that are also significant for more effective convention listening:
     <> range and tessitura of each voice part
     <> quality text
     <> accompaniment
     <> size and maturity of choir
     <> texture
Awareness and effective application of these factors will greatly enhance “evaluative listening” at conferences."
 
Read Susan’s article to prepare yourself to take the biggest drink you can at the Conference.  There is still time to learn more about and REGISTER for your ACDA divisional conference.
 
]]>Richard Allen Roehttp://www.choralnet.org/view/307643%pm, %08 %b %2012 %12:%Feb:%th 12FebUTChttp://www.choralnet.org/view/307643 By Erin Murphy
 
INDIANAPOLIS -- Along with the Indianapolis Children's Choir, which joined Kelly Clarkson in for the national anthem before the big game Sunday, local performers were also featured prominently during the elaborate halftime show. Drummers from four local marching bands and singers from the Indianapolis Symphonic Choir took the stage with Madonna.


For the dozens of singers with the Indianapolis Symphonic Choir it was a performance of a lifetime, singing with Madonna during the Super Bowl halftime show.

“Nothing compared to actually being on the field for the show itself,” said Dana Luetzelschwab-Voigt a singer with the Indianapolis Symphonic Choir. “I thought I had finally gotten over being star-struck and being amazed at everything that’s being done, then I was on the field and I was a kid. I was a kid again.”

]]>Richard Allen Roehttp://www.choralnet.org/view/307646%pm, %08 %b %2012 %13:%Feb:%th 13FebUTChttp://www.choralnet.org/view/307646 By Sara Cunningham
 
LOUISVILLE -- The small, white church-turned-rehearsal-hall was filled last week with the same bright, cheery sound that has made the Thoroughbred Chorus such a beloved Louisville institution but with one fairly big difference — there was a new face front and center, leading the talented group.

Montreal native and Old Louisville resident Andrew Wheaton, 26, was chosen by the Thoroughbred’s board of directors Jan. 19 after an extensive search, said Eric Hunstiger, the group’s president.

“I’m just so in love with barbershop and I want to be a part of bringing good barbershop to anyone who will listen,” Wheaton said midway through his first rehearsal as director.

]]>Richard Allen Roehttp://www.choralnet.org/view/307647%pm, %08 %b %2012 %13:%Feb:%th 13FebUTChttp://www.choralnet.org/view/307647 By Alonzon Weston
 
ST. JOSEPH, MO -- When the Lafayette High School choir performed at the Missouri Music Educators Conference at Tan-Tar-A Resort recently, it received a standing ovation. Music teacher Kim Evans’ 45-member choir wasn’t competing for any medals, said Tyran Sumy, Lafayette principal. But the elation was the same as if they had won a state athletic award.
 
“They are not judged, but the judgment comes from performing in front of Ms. Evans’ peers; I would say the judgment was when they gave the big standing ovation. Some people were crying,” Dr. Sumy said. “I was as proud of that as when we have teams go to state in basketball.”

“The way she teaches is just amazing. It helps us connect with each other in a way that’s different than anything we’ve ever experienced outside the class,” Ms. Hadsall said. “She just has that way of reaching out to us and helping us connect through music.”

]]>Jack Senzighttp://www.choralnet.org/view/307640%am, %08 %b %2012 %06:%Feb:%th 6FebUTChttp://www.choralnet.org/view/307640
    The ChoralNet Composers of Choral Music Community has gone to great lengths to create a new interface between composers and conductors.  We recognize the difficulties in searching through individual composers’ websites, trudging through so many listings to find the one piece that fits your needs.  We also understand that many of you have given up on performing new music, especially that which was composed by self-published composers.  What we felt was needed was a filter to help you find only the best of our work.  
    We have created the Composition Showcase to act as that filter.  Published and self-published composers have put together a little marketplace of quality works.  Each composer has been limited to posting only three selections in the same voicing and a total of six pieces in all different voicings.  There are age requirements and other oversight tools to help refine the repertoire choices presented.    
    All pieces have at least a partial PDF to peruse; most have a recording of a choir or a virtual recording and all have a streamlined method for purchasing from the composer or publisher.  About 50 works have been prepared for you so far with new works being added everyday. The interface is easy to use and will save you a lot of time. 
      The Composition Showcase is in its beta version and ready for you to peruse and improve with your suggestions and/or critiques.    Even if you are not currently looking for repertoire, please help us refine this tool that was created to serve your needs.  You can join our community to start your own post in our forum, comment on the posts of others or contact Jack Senzig our community editor.  Your input is essential to allow us to serve you better.  
    The Composition Showcase is part of an overall effort to improve the relationship between conductors and composers.  This is just one of several planned steps along the way. 
    If you join our community, I suggest you set your Subscription email options under your My ChoralNet tab to digest.  We are the most active community on ChoralNet and would not want to bombard you with an email every time someone posts or comments.  ]]>Scott Dorseyhttp://www.choralnet.org/view/306873%pm, %01 %b %2012 %20:%Feb:%st 20FebUTChttp://www.choralnet.org/view/306873
ACDA members from Iowa, Minnesota, Nebraska, the Dakotas and other frosty states in the north central U.S. are gathering today in Madison, Wisconsin for the ACDA North Central Division Conference.  Running today through the 11th, this is the first of seven divisional conferences being offered by ACDA in 2012.
 
“Jump in your car and join us!” enthused ACDA North Central Division President, Aimee Beckman Collier. 
 
Members can still join in the fun!  ACDA staff members Katie Lewis and Craig Gregory are in Madison at this very moment and are eager to help you register for the North Central Division Conference.
 
View the complete Conference Profile then drop everything and head to Madison!
 
]]>Augustinus Assistantyahttp://www.choralnet.org/view/307617%am, %08 %b %2012 %04:%Feb:%th 4FebUTChttp://www.choralnet.org/view/307617                                       PARAMABIRA (BINUS University Student Choir) proudly presents Internal Concert 2012
 
                                                           
 
'Stage and Screen'
Singing songs from Broadway theatre such as Rent, Chicago, Wicked,
original soundtracks of Sister Act, Slumdog Millionaire, Mamma Mia!, Moulin Rouge and many more.

              Friday, 9th March 2012
              Time   : 7.30 p.m 
              Venue : BINUS UNIVERSITY - Anggrek Campus Auditorium (4th floor)
                          Jl. Kebon Jeruk Raya No. 27 - Kebon Jeruk Jakarta Barat/Kebon Jeruk
              Ticket : IDR 35.000

Come and be a part of our concert towards the International Choral Singing Competition in Italy by July 2012!
We'll be waiting for your presence ;)
Ticket booth for direct ticket reservation will be opened in February 20 in Anggrek Campus.

Tickets reservation and info:
Ivonne 0856 9480 4982
 
]]>Christina Beershttp://www.choralnet.org/view/307603%pm, %07 %b %2012 %23:%Feb:%th 23FebUTChttp://www.choralnet.org/view/307603 Which websites do you use to find paid, employment opportunities in music? ]]>John Lapetinahttp://www.choralnet.org/view/307607%am, %08 %b %2012 %01:%Feb:%th 1FebUTChttp://www.choralnet.org/view/307607
Mozart Requiem and Schubert Symphony NO. 8 "Unfinished". Don't miss this rare oppoertunity to hear two masterpieces, both celebrated as breathtaking and unfinished works. Mendelssohn Club joins Camden's acclaimed Symphony in C in a joint program led by Maestro Rossen Milanov.
 
Sunday, February 12, 2012 - 7:30pm
 
The Church of the Holy Trinity, Rittenhouse
1904 Walnut Street, Philadelphia
 
Tickets are available at the door or through the Mendelssohn Club website: www.mcchorus.org
 
]]>Christina Beershttp://www.choralnet.org/view/307601%pm, %07 %b %2012 %23:%Feb:%th 23FebUTChttp://www.choralnet.org/view/307601

Job Description

Music Training Center - Marlton, NJ is seeking a vocal instructor to teach Monday - Thursday (2 PM - 9 PM) and Saturdays (10 AM - 5 PM).

As a member of our music faculty, you will be engaged in teaching children (ages 5-18) and adults, and preparing them for recitals that are held in our school theaters twice each year.

We teach using mainstream method, technique, and repertoire books, along with a curriculum that guides progress from the beginner to advanced levels. 

Our music community offers our students and teachers year-round performance opportunities such as  "MTC Live" featured open mics, choral ensembles, musical theater, and faculty performance showcases! 

Please visit our Youtube.com/musictraining and facebook.com/MusicTrainingCenter to see students performing in our schools!

Music Training Center offers year-round, W-2 employment with benefits.
Compensation includes a base hourly pay rate, performance-based bonuses, and benefits including:

• free dental insurance,
• subsidized Blue Cross health insurance and prescription coverage, (health insurance requires 4 or more teaching days/week)
• 10% company-paid contribution to your personal retirement account at Fidelity investments.


Additional benefits of teaching careers at MTC:

• Join a professional faculty who share a goal of cultivating performing arts talent in aspiring youth and adults.
• Career advancement and professional development opportunities, including teaching student ensembles, continuing education, departmental leadership, and curriculum development.
• Work in modern facilities, with theaters for student recitals and performances
• We take care of all student scheduling, billing, accounting, books, and payroll, so you can focus on teaching!

Desired Skills & Experience

• Bachelors degree in Music (Education, Performance, Composition, etc) with principal studies in voice or vocal pedagogy
• Desire and experience working with both children and adults

Company Description

Music Training Center provides high quality, structured music education to hundreds of students each week. Named "Best of Philly" in 2006 for children's music classes, our programs include Private Music Lessons, Rock Band Classes, Jazz Ensemble, Guitar Ensemble, Choir, Musical Theater, and Makin' Music.

Our modern facilities, combined with the quality and convenience of our programs have Music Training Center the area's premier destination for music students of all ages and levels.

We currently operate schools in Ardmore, Conshohocken, Great Valley, Montgomeryville, PA and Marlton, NJ.

LEARN MORE AND APPLY!

 
]]>Steven Russellhttp://www.choralnet.org/view/307598%pm, %07 %b %2012 %23:%Feb:%th 23FebUTChttp://www.choralnet.org/view/307598 No experience necessary. Yoga class every morning during the Eastern Division Conference next week:
7:00-8:00 AM Yoga for Conductors and Singers in the Convention Center East Side Pre-Function Area
Led by Certified Yoga Teacher
Steven Russell
who is also the R&S Chair for Community Choruses for the Eastern Division.
Bring a yoga mat or beach towel. Dress in gym clothes. 
Come breathe and prepare your body and soul for the day. 
]]>Robert W. Parkerhttp://www.choralnet.org/view/307597%pm, %07 %b %2012 %22:%Feb:%th 22FebUTChttp://www.choralnet.org/view/307597

The penitential season of Lent is celebrated differently in each denomination and congregation, and its music is performed differently by each choir. But the special magic of music of the season is the contemplation of mystery—something that is not only proper to this time of the Liturgical Year, but appropriate for this time of the calendar year as well, as we see the very beginnings of the changing of the seasons.

For those of us in the northern hemisphere, we see the first few sprigs of green budding forth on the leaftless trees, or gently but inexorably piercing the snow... In the darkness of winter that still chills us, they are the promise of the joy of the Spring that is to come.

And for the Christian Church, is not Lent also a season of that very same promise? The promise of new beginnnings, of new life?

Mystical music, to celebrate the mystical season of Lent, awaits you here!

 
]]>